A Quote by Mary Ruefle
It is the first experience you ever had of reading a decent poem: 'Oh, somebody else is lonely, too!
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Lonely, ain't it? Yes, but my lonely is mine. Now your lonely is somebody else's. Made by somebody else and handed to you. Ain't that something? A secondhand lonely.
I remember reading this thing that Elizabeth Taylor wrote. She had her first kiss in character. On a movie set. It really struck me. I don't know how or why, but I had this sense that if I wasn't really careful, that could be me. That my first kiss could be in somebody else's clothes. And my experiences could all belong to someone else.
The poem is lonely. It is lonely and en route. Its author stays with it. Does this very fact not place the poem already here, at its inception, in the encounter, in the mystery of encounter?
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.
I think people are trying out ideas with the new technology and it's too early to say where it's going exactly. But again, whether it's digital or paper, it doesn't matter. It's words that somebody is reading and getting an experience out of that reading. That's all that really matters.
One of the things that was really influential early on was Ezra Pound's Cantos, one poem he worked on for 50 years. It's epic. I had a great deal of difficulty understanding it. One of the problems was you'd be reading along in English and he would move to a Chinese ideogram or French-he actually used seven different languages in a given poem. And for somebody who's not fluent in different languages it has the impact of rupturing your way of understanding something.
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
I just think that the world of workshops - I've written a poem that is a parody of workshop talk, I've written a poem that is a kind of parody of a garrulous poet at a poetry reading who spends an inordinate amount of time explaining the poem before reading it, I've written a number of satirical poems about other poets.
If a reviewer is beating me up, I just say, 'Oh well, my writing is not to his or her taste.' And that's as far as it goes. Because I will simultaneously read a review where somebody says, 'Oh my God, I had so much fun reading this book and I learned so much.'
We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?
'Harry Potter' is the first book that ever got me into reading. I had to read it in year 7, for school, and then I kept reading all of them.
It's very frustrating if you've never had an experience and somebody comes up to you and says, "I've just been on a flying saucer." Your tendency is to think, "Oh, this guy must be wacko, nuts, having an hallucination. None of that can be true because none of that has ever happened to me."
I said yes too much. I said yes to certain projects that weren't for me. It was somebody else's vision and somebody else's dream and somebody else's artistic endeavor, but it didn't necessarily fit in my grand scheme.
Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.
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