A Quote by Mary Ruefle

Metaphor is not, and never has been, a mere literary term. It is an event. — © Mary Ruefle
Metaphor is not, and never has been, a mere literary term. It is an event.
I must take issue with the term 'a mere child,' for it has been my invariable experience that the company of a mere child is infinitely preferable to that of a mere adult.
I must take issue with the term 'a mere child', for it has been my invariable experience that the company of a mere child is infinitely preferable to that of a mere adult.
Luck, if it mean nothing more than an event of which the cause is not apparent, is a term that may be employed without error; but if it means, as it generally does, an event which has no cause at all, a mere chance, it is a bad word, a heathen term; drop it from your vocabulary; trust nothing to luck, nor expect anything from it; avoid all practical use or dependence upon this or its kindred words, fate, chance, fortune.
The word "God" is used in most cases as by no means a term of science or exact knowledge, but a term of poetry and eloquence, a term thrown out, so to speak, as a not fully grasped object of the speaker's consciousness -- a literary term, in short; and mankind mean different things by it as their consciousness differs.
Of course I didn't pioneer the use of food in fiction: it has been a standard literary device since Chaucer and Rabelais, who used food wonderfully as a metaphor for sensuality.
We're not mere spectators, or a cosmic accident, or some sideshow, or the Greek chorus to the main event. The human experience IS the main event.
I'm fascinated by the notion of a perpetual sound: a sound that won't dissipate over time. Essentially, the opposite of a piano, because the notes never fade. I suppose, in literary terms, it would be like a metaphor for eternity.
If the Party could thrust its hand into the past and say of this or that event, it never happened - that, surely, was more terrifying than mere torture and death.
The main event has never been the manifestation; the main event has always been the way you feel moment by moment, because that's what life is.
There is a technical, literary term for those who mistake the opinions and beliefs of characters in a novel for those of the author. The term is 'idiot'.
King in Crimson is actually an alchemical term. King Crimson is a metaphor for Devil or Satan, but at the same time it's also a metaphor for one of the statures in the purification of man and the purification of mankind soul towards union with God and with Infinite, which is the philosophical aim of alchemists.
To my ear, the term 'comic novelist' is as redundant and off-putting as the term 'literary novelist'.
Since ancient times the term awakening has been used as a kind of metaphor that points to the transformation of human consciousness. There are parables in the New Testament that speak of the importance of being awake, of not falling back to sleep.
What Jesus did was not a mere example of something else, not a mere manifestation of some larger truth; it was itself the climactic event and fact of cosmic history. From then on everything is differentthe End came forward into the present in Jesus the Messiah
Doesn't all experience crumble in the end to mere literary material?
They [the disciples] were testifying to the resurrection, a question of fact, not merely of faith. They were convinced of an event. And their willingness to die for attesting to that event is far more convincing that the willingness of others to die for a mere belief or because of loyalty to a religion or religious leader.
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