A Quote by Mary Russell Mitford

Well, great authors are great people - but I believe that they are best seen at a distance. — © Mary Russell Mitford
Well, great authors are great people - but I believe that they are best seen at a distance.
Great editors do not discover nor produce great authors; great authors create and produce great publishers.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
I cannot judge my work while I am doing it. I have to do as painters do, stand back and view it from a distance, but not too great a distance. How great? Guess.
Much like great products, great content will only find the best people to love it if it's leveraged well.
I used to believe that if my career was going great, then I was not entitled to a great personal life. Well, I've stopped thinking that way. I believe I can have it all.
You have a lot of great teams in the NBA. I watched San Antonio against Dallas, and they're two great teams, and there are great teams in the east, as well. So it takes time to gel, as we've all seen.
There are those who hold that there is a pattern to all that is said and done in this world, that no thing happens without reason nor out of time. As to that, I cannot speak, for I have seen too many threads cut short to believe it, but of a surety, I have seen too the weft of my fate shuttled on the loom. If there is a pattern, I do not think there is anyone among us who can stand at a great enough distance to discern it; yet I will not say that it is not so.
I've never bought this idea of taking a therapeutic distance. If I see a student or house staff cry, I take great faith in that. That's a great person; they're going to be a great doctor.
The authors of great evils know best how to remove them.
I feel that Pride and Prejudice is an incredibly well constructed novel on every level. The dialogue is great. The character development is great. The plotting is great. The pacing is great. The language is great.
Balzac, you know, our great Balzac, he wrote interesting things about how in literature you keep distance in order to express great feelings. You have to keep a distance - and it's exactly the same with acting.
A near win shifts our view of the landscape. It can turn future goals, which we tend to envision at a distance, into more proximate events. We consider temporal distance as we do spatial distance. (Visualize a great day tomorrow and we see it with granular, practical clarity. But picture what a great day in the future might be like, not tomorrow but fifty years from now, and the image will be hazier.)
I've seen a lot of friends who have a lot of great projects, whether it's a script or a play or whatever, and it is a great project and they have great people involved, and they can't make it.
I love the idea of Pro Tools, but it doesn't seem as attractive to me in terms of the music-making side. It's great for recording, but with Logic you get the best of both worlds, the ability to do great tracking and producing something that sounds great as well.
I'm a great admirer of secularism. At its best, I think it's one of the best things that we have. I don't believe in insinuating religion into conversation. I don't believe in excluding it from conversation. I enjoy the fact that people's innermost thoughts are their own.
It will be a great accomplishment if I become the best player in the world. But if my children can grow up with great core values and become great people and do good things and are happy, then, man, that would bring me great joy.
This site uses cookies to ensure you get the best experience. More info...
Got it!