A Quote by Mary Russell Mitford
I do not think very highly of Madame D'Arblay's books. The style is so strutting. She does so stalk about on Dr. Johnson's old stilts.
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I think Gary Johnson is just in the wrong place trying to be President of the United States. And that`s not a secret. I do not view those other two candidates, Bernie Sanders and Hillary Clinton the same way. I think very highly of Mrs. Clinton. I think she is very well qualified.
My own approach to literary problems is very like the one Dr. Johnson's blind housekeeper used when she poured tea-she put her finger inside the cup.
Flaubert's famous sentence, "Madame Bovary, c'est moi" ("Madame Bovary, she is me"), in reality means, " Madame Bovary, c'est nous" ("Madame Bovary, she is us"), in our modern incapacity to live a "good-enough" life.
As a female there aren't too many characters that are very empowering, and there's something very empowering about Lara Croft. She kicks butt and she does it in style. She's confident and she's educated.
I think it's huge that I'm wearing my natural hair texture on ABC in prime time. As Dr. Rainbow Johnson on 'Black-ish,' I think my hair is part of the reality of this woman's life. She has four children and is an anesthesiologist and a wife. She doesn't have a lot of time to fuss with beauty, so her look is pretty simple.
When you are portraying a person that is very real, in my case, Katherine Johnson is still alive, she is 98-years old; there is a responsibility to get it right. I guess the biggest thing that I took away from Katherine was her humility. When you talk about superheroes there are selfless, they don't think about themselves, they put humanity first.
I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.
I'm an old-fashioned English lit. man. Straight down the line - it's George Eliot, it's Dickens, it's Dr. Johnson, it's Jane Austen.
There's never been a film with Dr. Martin Luther King, Jr. at the center released in theaters. Ever! One does not exist. You've only seen tele-films and stage plays about him. Yet, we have big screens biopics about all kinds of people. So, I think it's only right that there be a full-length feature about Dr. King. I don't think there could be enough of them, but there should be at least one. So, here it is!
Dr. Calder [a Unitarian minister] said of Dr. [Samuel] Johnson on the publications of Boswell and Mrs. Piozzi, that he was like Actaeon, torn to pieces by his own pack.
One of the key things for me about Madame Walker's life is that she really does represent this first generation out of slavery when black people were reinventing themselves, and as a woman who was the first child in her family born free, she was trying to figure out a way, and she moved from Delta, Louisiana.
What's amazing about this show [Westworld], and what it gives us permission to do, is to be kind of superhuman. Because at the end of the day, [Dolores] she's not a male and she's not a female. She's evolved past that. She's a very highly advanced being, and so I think it's really going to knock down a lot of stereotypes and a lot of gender roles and be a neutral party.
Yeah I was aware of the book, but hadn't read it. So as soon as I'd finished the script, I got a copy of the book and read that. My wife had read it and she loves it, so that was a good sounding board. I like her writing style, she's such a page-turner. I enjoyed The Constant Princess as well. I think she's great. The books are very popular with women and I can see why.
I haven't been back to London for 40 years to do a play, so to play Madame Arcati there, she would be tickled to death knowing that that was what I was doing. I hope she would. She was a wonderfully unique and very special, very darling woman.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
Culture is like the sum of special knowledge that accumulates in any large united family and is the common property of all its members. When we of the great Culture Family meet, we exchange reminiscences about Grandfather Homer, and that awful old Dr. Johnson, and Aunt Sappho, and poor Johnny Keats.
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