A Quote by Mary Russell Mitford

Nothing so pretty to look at as my garden! — © Mary Russell Mitford
Nothing so pretty to look at as my garden!
I'm very comfortable with how I look. I always have been. I think I look pretty good. There's nothing I want to change. I'm pretty happy with what I've got.
The great challenge for the garden designer is not to make the garden look natural, but to make the garden so that the people in it will feel natural.
If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture.
The garden is my second profession. It's 22 hectares, which is a big garden. I really need it, going from the flower garden, the shrubs and the trees, the vegetable garden, all these things.
Living Things. The garden can be as unlimited a resource as you want it to be. It's an escape from everything if you just want a break. It is something to do with living things, not a static piece that you put there and look at but something that changes every day. You're committed to it. If you don't look after it, it dies on you. And if you do look after it, it will give you rewards - pleasure, and a feeling of achievement. There's a sense of responsibility developed in a garden.
The message was always, 'It's good to be pretty, but don't look like you're trying to be pretty!' Inherent in that is a lot of misogyny, I think, because the implication is, 'You must work hard to achieve a feminine ideal for which society has nothing but contempt.'
I'd love to have a really flourishing vegetable garden, and I'd love to have a better area for a rose garden or a cutting garden, but I don't. You have to develop a garden in the way that it's meant to be developed.
If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.
I associate the garden with the whole experience of being alive, and so, there is nothing in the range of human experience that is separate from what the garden can signify in its eagerness and its insistence, and in its driving energy to live -- to grow, to bear fruit.
I've never been someone who wanted to look pretty with nothing to say.
From December to March, there are for many of us three gardens - the garden outdoors, the garden of pots and bowls in the house, and the garden of the mind's eye.
Death is only an old door Set in a garden wall; On quiet hinges it gives, at dusk When the thrushes call. Along the lintel are green leaves, Beyond, the light lies still; Very weary and willing feet Go over that sill. There is nothing to trouble any heart; Nothing to hurt at all. Death is only an old door In a garden wall.
Inside every one of us is a garden, and every practitioner has to go back to their garden and take care of it. Maybe in the past, you left in untended for a long time. You should know exactly what is going on in your own garden, and try to put everything in order. Restore the beauty; restore the harmony in your garden. If it is well tended, many people will enjoy your garden.
The Japanese garden is a very important tool in Japanese architectural design because, not only is a garden traditionally included in any house design, the garden itself also reflects a deeper set of cultural meanings and traditions. Whereas the English garden seeks to make only an aesthetic impression, the Japanese garden is both aesthetic and reflective. The most basic element of any Japanese garden design comes from the realization that every detail has a significant value.
When a garden is used as a place to pause for thought, that is when a Zen garden comes to life. When you contemplate a garden like this it will form as lasting impression on your heart.
Nothing happened. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying.
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