A Quote by Mary Steenburgen

Christopher Lloyd was actually the first person - or certainly one of the first few - who ever spoke to me on film. — © Mary Steenburgen
Christopher Lloyd was actually the first person - or certainly one of the first few - who ever spoke to me on film.
It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.
I've seen a few lookalikes, and that kind of freaks me out, but then I'm not the first person on the planet to have tattoos, and I'm not the first person to have hair or a tattoo sleeve.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
I was one of the first few film people to ever do television.
The first time I ever spoke to John Cassavetes was at a Lakers game. I got up to go for a hot dog, and he was coming in the opposite direction. I don't know who said hello first, but we started talking, and it turned out that he went to high school with my first wife, Alice.
The first thing I ever heard about Barack Obama was that he had a white mother and a black father. Interestingly, the person who informed me of this spoke only matter-of-factly, with no hint of the gossip's wicked delight.
There has certainly been a great deal of work addressing the relationship between naturalism and the first-person perspective. Quite a number of philosophers have suggested that there are features of the first-person perspective that naturalism just cannot accommodate, whether it be qualitative character, or consciousness, or simply the ability we have to think of ourselves in a distinctively first-person manner.
This is an old film from donkeys' years ago, but the first film I ever... the first time I ever cried watching a movie was when I was watching 'The Champ.'
As I talk to film students now especially, I say, "The easiest job you'll ever get is to try to make your first film." That's the easy one to get, is the first film because nobody knows whether you can make a film or not.
My first film festival and my first film that I've ever been in, 'Martha Marcy May Marlene,' that was at Sundance.
I've had the chance to work with Christopher Plummer, one of the great stage and film actors, a couple of times, including on 'Prototype,' the first TV movie I ever did. It was science fiction in the Ray Bradbury sense, written by the famous team who created Columbo, Levinson, and Link.
The first time I did Cake Boss or Ice-T or Andrew Lloyd Webber was on 'Best Week Ever.'
I remember the first time I spoke to an editor. I thought I'd be sick, I was so nervous. The first time I spoke to a large group at a conference, I had the jitters for days beforehand.
The very first film, documentary that I made, was called 'The First Year.' It was 11 years ago and I followed these five novice teachers. I was actually with them on their first day of school and followed them for their first year.
Christopher Hitchens and I were not friends or even acquaintances. We never met or spoke on the phone, just exchanged occasional brief letters - notes, really - hand-written and snail-mailed at first, e-mailed later.
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