A Quote by Mary Steenburgen

The sights and sounds and smells, the whole genre of Westerns - I love them. — © Mary Steenburgen
The sights and sounds and smells, the whole genre of Westerns - I love them.
I'm not a great horse person, but I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them.
I love horses, and I love all of it. The sights and sounds and smells, the whole genre of Westerns - I love them. And I know they're rare for actors to get to do, and they're even more rare for women to get to do, so I really think I was drinking in the experience on so many levels.
I actually don't like westerns much. I like good westerns, but it isn't my preferred genre. There are all kinds of westerns: acid westerns, '70s westerns, Nicholas Ray's neurotic westerns. The ones I tend to like are nutso westerns.
Brutes gaze on sights, they are arrested by sounds; and what they see and what they hear are sights and sounds only. The intellectof man, on the contrary, energises as well as his eye or ear, and perceives in sights or sounds something beyond them. It seizes and unites what the senses present to it; it grasps and forms what need not be seen or heard except in detail. It discerns in lines and colors, or in tones, what is beautiful and what is not. It gives them a meaning, and invests them with an idea.
Documenting trips makes them that much richer. I stick in train tickets and business cards from restaurants. It makes the whole experience poetic, describing the sights, smells and sounds around me. It means I can relive the holiday years later.
Smells are surer than sounds or sights To make your heartstrings crack.
Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.
I would very much like to make Westerns. I love Westerns. I've worked on many Westerns in my youth, in Spain and here, and I love working on them.
Baseball is my escape. The sights, the sounds, the way the park smells. There is truly no place I would rather be than at a game.
I didn't know then that I would never be able to leave the sounds and smells of these sights behind me, but I was fiercely conscious of one thing-my ambition.
I loved Westerns for different reasons as an adult. It is not only our only native brand of storytelling - the only one that's not influenced by Europeans and not something that's done better by the French - but I also love the sensuality of the Western. The sights, sounds, and smell of a Western are very exciting.
I've never been specifically attached to westerns, but there are those I like - one of the best westerns I've seen is 'Unforgiven.' I think the genre has something extremely powerful that can allow them to talk about good and evil in a very straight way.
Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that and get that down in some way. This is - this is a type of familiarity but a type of radical difference at the same time.
Where I went in my travels, it's impossible for me to recall. I remember the sights and sounds and smells clearly enough, but the names of the towns are gone, as well as any sense of the order in which I traveled from place to place.
Memory warps time, as it does the sights and sounds and smells of reality; for what shapes it is emotion, which can twist what seems clear, just as the surface of a pond seems to bend the stick thrust into the water.
There is no other genre that deals with America better, in a subtextual way, than the Westerns being made in the different decades. The '50s Westerns very much put forth an Eisenhower idea of America, whereas the Westerns of the '70s were very cynical about America.
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