A Quote by Mary Steenburgen

I remember when I was growing up and watching southern people depicted on television, I thought, 'Well, based on what I'm seeing, I guess I'm supposed to be stupid and racist.' It's still, sadly, the easy route for a writer to go.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
My mother, Southern to the bone, once told me, “All Southern literature can be summed up in these words: ‘On the night the hogs ate Willie, Mama died when she heard what Daddy did to Sister.’” She raised me up to be a Southern writer, but it wasn’t easy.
The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there's no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.
I still remember vividly watching television coverage of the Democratic National Convention in the summer of 1992 (when he was 17) when Bill Clinton got the nomination. That was certainly a part of my growing interest in politics.
The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.
If you go to Paris, try to speak French. If you go to the South, try to speak Southern. Southern isn't stupid. Southern is narrative; Southern is family.
I've never chosen the easy route to world titles or the easy route in fights, and I came up short against Stevenson.
One of the best parts of Thanksgiving for me is re-watching some of the classic holiday blunders that have been depicted on television. I remember laughing uncontrollably on the set of 'That Girl' back in 1967 when we shot the episode, 'Thanksgiving Comes But Once A Year, Hopefully' during our second season.
I remember seeing people who I thought were so confident and exuberant. I remember being young and watching Oprah and being like, 'Damn. That lady is so confident. She can talk to anybody.'
I was a 'Star Wars' fanatic growing up. I guess I still am. Pretty much for everybody who grew up in the 1980s as well, it's a symbol of their childhood.
I remember growing up and seeing Vanessa Hudgens' Bongo campaign in magazines. I think I probably put a few of her posters on my wall, to be honest. I wore Bongo growing up, as did my older sister - I would get her hand-me-downs as well as my own new pieces when I went shopping.
A relationship should be based on friendship. I remember somebody telling me that when I was younger and I just thought, you know, stupid people, with that rubbish. But now I see that that is so important.
I like health-conscious cooking, but growing up in the South, I do love southern cooking; southern France, southern Italy, southern Spain. I love southern cooking.
I don't like to be described as a Southern writer. The danger is, if you're described as a Southern writer, you might be thought of as someone who writes about a picturesque local scene like Uncle Tom's Cabin, Gone With the Wind, something like that.
There is no barrier to Indiana Jones growing older. It's not an age-based character. We can't bang him up as much as we used to, maybe. But I guess I can pretend to have the capacity as well as I pretended before.
I remember watching when D-Wade and LeBron were here playing for the Heat. I remember watching them play the Lakers with Kobe. So I just was able to watch those games growing up and really watch my favorite players.
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