A Quote by Mary Steenburgen

We're all very fond of a black box in our living room that works on diminishment of images, that spoons somebody up in a very limited way. It can be a reduction at its worst. — © Mary Steenburgen
We're all very fond of a black box in our living room that works on diminishment of images, that spoons somebody up in a very limited way. It can be a reduction at its worst.
We always keep things very, very simple. We can make a respectable living playing a smaller room that somebody else couldn't, because they're spending a lot of money. If we can't get a show up and deliver with what we almost intrinsically have in our brains and our pockets, then I don't really want to do it.
The dining room in my old house was truly magnificent, but by far the worst room for conversation. I'd get up from the table, a very long table, and somebody would always say, Paul, I never got to talk to you.
My father was very fond of reading. It was something we did at our home. I don't think it fits the way people think Bollywood works, but that's who we are.
You have to be very fond of men. Very, very fond. You have to be very fond of them to love them. Otherwise they're simply unbearable.
Breaking up is the hardest thing we do. It's the most important thing we do, in a way. You've got to embrace rejection, or you'll maintain a very limited life. It'll be very nice and neat - and very, very small.
The way America works, and the way L.A. works, is a very small percentage of people get what they want out of life, and a much greater percentage try very very hard and they don't. That's just the way it is.
In Israel, there is this reduction of the political discourse to something that is very limited. It's as if you have that pitch that only dogs can hear. Sometimes I feel I speak at such a pitch that very few people around me communicate with what I'm saying.
The fantastical images in my works are descriptive in a different way - a metaphorical way - that removes you from reality. Then, this visually removed point of view allows you to deal with a very heavy subject.
When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.
Film is a very tight little box. If you don't fit in that box, you're gone. Television, there's more room to move around.
Hollywood has had a very limited way of telling stories about black people.
At our house, my father loved the arts. Among his favorite things was 'The Metropolitan Museum of Art Album of Miniatures' - a box set of small books on different art periods. I'd go into the living room at night and sit on the arm of his chair as he studied the images.
We must not drift away from the humble works, because these are the works nobody will do. It is never too small. We are so small we look at things in a small way. But God, being Almighty, sees everything great. Therefore, even if you write a letter for a blind man or you just go sit and listen, or you take the mail for him, or you visit somebody or bring a flower to somebody-small things-or wash clothes for somebody, or clean the house. Very humble work, that is where you and I must be. For there are many people who can do big things. But there are very few people who will do the small things.
One of the worst things you can do is have a limited budget and try to do some big looking film. That's when you end up with very bad work.
When you're a Black actress, the box that we often get put in is so small. And me being a dark-skinned Black actress, the opportunities become so limited in a way that is just wrong. It's not fair. I'm so capable of playing a wide variety of roles. It comes down to whether or not I'm given the opportunity to do it.
How many people have a family grave in the backyard? I'm sure I'll end up there, or I'll shrink my head and put it in a glass box in the living room. I'll get more tourists to Graceland that way.
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