A Quote by Mary Steenburgen

Our culture loves movies and TV, which is wonderful, but there's something a little bit passive sometimes about watching, because you're looking at other people's imagination at work.
I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
I turn on the TV sometimes, start watching something and think: 'This seems quite good, a bit familiar.' Then I realise … It's one of my movies. It's a pretty odd feeling.
I turn on the TV sometimes, start watching something and think: 'This seems quite good, a bit familiar.' Then I realise... It's one of my movies. It's a pretty odd feeling.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
I actually didn't think I was going to do TV because I don't really watch TV. I'm a little bit pretentious, and I do these little indie movies, so I envisioned that more as the path for myself.
I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.
It was just an honor for me to be doing the role of Miguel because I identify with him. I grew up watching Disney movies, and 'Coco' shows a wonderful tradition, culture, and celebration that not many movies have shown.
I think the thing we see is that as people are using video games more, they tend to watch passive TV a bit less. And so using the PC for the Internet, playing video games, is starting to cut into the rather unbelievable amount of time people spend watching TV.
I'm in a very good place now because I do theater, I do TV and I make movies. I was a dancer, so I dance a little bit. I was a musician, so I do a little bit of music. And I do all of this in four or five different languages, and all over the world.
I've been a huge horror fan since I was about eight years old, which is a little bit young to be watching scary movies.
What really happened was one day in my late five I went out and I found my dad in the garage staining some wood because sometimes he makes furniture for the house. I said, "Could I experiment a little bit?" and he said sure so I experimented and I realized that it's so fun! You can express yourself, you can use your imagination, and in just that little time I wanted to change the world for the better. After that wonderful experience I thought, how about painting?
Many of our nation's reporters and folks will not tell you the truth, and will not treat the wonderful people of our country with the respect that they deserve. I hope, going forward, we can be a little bit - a little bit different, and maybe get along a little bit better, if that's possible.
When I learned a little bit about du Pont and a little bit about Mark Schultz, I was attracted to the notion that these incredibly different people found each other and seemed, for a moment, to be the answer that each was looking for.
I don't see my movies. When you ask me about one of my movies, it just goes in my memory because maybe sometimes I confuse one for another. I think all movies are like sequences, which is the body of my work.
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