A Quote by Mary Steenburgen

A period piece is a great opportunity for an actress. I love acting because I love to pretend, and when you're doing a period piece, then even the time you're in is pretend, so there's that much more to play with.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
While I appreciate horror movies, I'd love the opportunity to do something transformative, especially because people see me as contemporary. There's a lot to explore in my career that could take me back to another time. A period piece would be an incredible game of dress-up, too.
I love doing my own stunts. I'd love to do a full-on period sword-fighting piece where I get to show off with fighting and horses - I'm up for it.
I have friends who say, 'I don't want to do period now because I have done a period piece and I need to wait for two years' - I don't have that.
I'd love to do a period piece.
I'm so damn lucky to make a living acting, but it's not that I love it, not all the time. If I couldn't act, I wouldn't die. I'm much more interested in the human aspect of life than the pretend.
A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
It was really fun to play a period piece because I've never done that before and it's completely different.
It's as interesting to me as someday getting to play in some beautiful period piece where the costumes are from a completely different era. This feels as extreme as that, and that's really liberating. It's really liberating to just go 180 from what my life is like. I love that! I love not having to think about clothes. I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
The psychological and physiological mechanism of love is so complex that at a certain period in his life a young man must concentrate all his energy on coming to grips with it, and in this way he misses the actual content of the love: the woman he loves. (In this he is much like a young violinist who cannot concentrate on the emotional content of a piece until the technique required to play it comes automatically.)
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
A guitar is a piece of wood, and if this piece is resonating in a period of 40 or 60 years, it kind of gets to know what it is after awhile... the reason violinists play violins that are hundreds of years old. The wood learns to sing.
Sometimes when you're working on a period piece, there's this tendency to be nostalgic about the period and do everything superglamorous, which can end up looking cliche.
I definitely am looking to do some more dramatic roles; I'd love to do a period piece. I'm just getting started; I feel like there's a whole wealth of options out there to try my hand at.
There are a lot of period dramas out there but not many opportunities for a mixed-race actress to play a period role.
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