A Quote by Mary T. Barra
20 years ago, I was pushed and mentored and given challenging assignments and then supported. That allowed me to have the career path I've had.
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Almost six years ago, before I was given the incredible opportunity to be in 'Leaving Las Vegas,' I was going through a long period of artistic confusion. I'd spent years doing work that hadn't pushed me enough, and I was beginning to wonder if I had any talent.
Had you told me 20 years ago this would be my life, I'd have gone "What?" and then stuck out my tongue to all the girls that were mean to me.
Part of the reason I am not there sooner, is that I was not allowed to go to the United States. Now I am allowed. I am so thankful I have been given a second chance and I live there and already more has happened in six months for my career then in the last ten years.
I started going to castings a few years ago when people didn't know who I was. People forget about [that time] because they've seen my career - the path that it's had in the last couple years.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
If we look upon fulfilling of assignments as building the kingdom of God and as being an opportunity as well as a privilege and an honor, then assignments and challenges should certainly be given to every member of the quorum.
I still have the same outlook on things that I did 10, 20 years ago. As an animator, there’s no career path that you can follow; there’s very few people doing this that you can look to and pinpoint the mistakes. It hasn’t changed since I was little. You have interests and follow them and strange things happen, organically or not.
My schedule has slowed a little. I've cut back on some of my assignments. But I still have the enthusiasm for the sports world that I had 38 years ago.
It is strange how the romances of the teenage years retain a poignancy all through life - how a girl who turns you down when you're 16 retains an aura in your memory even long after you, and she, have ceased to be who you were then. I attended my high school reunion a couple of weeks ago and discovered, in the souvenir booklet assembled by the reunion committee, that one of the girls in my class had a crush on me all those years ago. I would have given a great deal to have had that information at the time.
[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.
It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.
Back 20 years ago, I was recording with Bruce Springsteen, and his producer called me and said I had to be in the studio the next day to finish the sessions, and I couldn't. I had to be in court, in California. All this took like 10 years out of my life.
I still have the same hunger like I did 20 years ago but it's a different sort of reflection when you lose. It doesn't hurt you as much because I feel like I've had a good career.
Our story is in two halves, as the band's career up to Freddie's death was 20 years, and 20 years later, our music is as popular as it was then. It's a sort of everlasting... income.
Many years ago when I first started my career Maradona told me "to enjoy and play as you know", and that's stayed with me ever since and is the best advice I've been given.
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