A Quote by Mary Timony
There's still not as many women in music as men, and I don't really know why. I don't have the answers. I do wish there were more women that played music.
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Men have been in the forefront of music for centuries, and they have written glorious music, loved and appreciated by many. In some ways, men are still in the forefront. There is a lot of room for composers of all types of music by both men and women, nowadays.
I've been working to define my individual style and vision and I believe it is reflected in the music. I feel better mentally, physically and spiritually so I've brought that to the music. I still make love songs so there are some messages in the music about men appreciating their women. I'm also still bringing party and club hits but with more substance in the music.
Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.
So when I say that I think we would have a different ethical level, particularly in corporate America, if there were more women involved, I mean that what women are best at is asking questions. Women ask questions over and over again. It drives men nuts. Women tend to ask the detailed questions; they want to know the answers.
People will say to me, ‘You’ve played so many strong women,’ and I’ll say, ‘Have you ever said to a man, “You’ve played so many strong men?”’ No! Because the expectation is [men] are varied. Why can’t we have that expectation about women?
I know that women in the music industry get treated a lot differently than men. I've seen it firsthand with somebody in particular, where it's almost that men like to treat women in the music industry like they can't make their own decisions.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
Who can forget the music of the French composer Germaine Tailleferre? These are just a few composers whose aesthetic ideals we all share, and there are many more women creators writing stunning and exciting music, and I wish I had space to list them all!
I love the music of Lauryn Hill and Erykah Badu and more recently the music of Laura Marling. All these women share a strength and a wisdom in their voices and music that really makes me want to make music and sing.
I always think that people think that women in music are always angry. I'm not angry. Rock 'n' roll music made by men is so much more over-the-top aggressive than when a women says "you" and they're screaming it, it's like, 'Oh my God!' I'm like, 'Have you heard rock music made by men?'
Women were everywhere in the revolution. Women participated in it, and many women were killed. Then we had the right to speak up and gain some more rights, but what happened was there was a backlash. Why? Because we have the Salafists, Muslim Brothers, religious groups.
Margaret Atwood, the Canadian novelist, once asked a group of women at a university why they felt threatened by men. The women said they were afraid of being beaten, raped, or killed by men. She then asked a group of men why they felt threatened by women. They said they were afraid women would laugh at them.
Let's acknowledge that men reach for opportunities more quickly and more easily than women. So often as managers, we give the job to whoever starts solving the problem, to whoever jumps in. Since we know men will jump in faster than women in so many circumstances, we have to slow down and encourage more women to sit at more tables.
Many women, particularly young women, have claimed the right to use the most explicit sex terms, including extremely vulgar ones, in public as well as private. But it is men, far more than women, who have been liberated by this change. For now that women use these terms, men no longer need to watch their own language in the presence of women. But is this a gain for women?
I understand why some women/girls/ladies don't want to be women-identified 'cuz it totally complicates your band identity and no one seems to pay much attention to the music or what you're doing. We have chosen to be girl-identified (although Billy isn't a girl!), because we want to encourage other women/girls to play music. When I was growing up, I found it discouraging to have all these women in bands not wanting to address the issue of gender...we're interested in what women are doing.
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