A Quote by Mary Tyler Moore
Interestingly that some of the characters did not turn out the way Jim and Allen had envisioned them.
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I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth. But, one of them was that he doesn't rehearse and another was that he doesn't really direct, if he doesn't like it...he cuts it out of the movie, or even replaces you.
I had heard all sorts of stories about Woody Allen's directing - directorial approach. And some of them turned out to be myth, but one of them was that he doesn't rehearse, and another was that he doesn't really direct. If he doesn't like it... he cuts it out of the movie or even replaces you. And he doesn't talk to you.
Sometimes films don't turn out the way they were envisioned on paper. And when that happens, one must just forget the entire episode.
Turn your nightmares into your dreams , some dreams don't turn out the way you want them to , then wake up and turn and turn it around in your favour.
Things don't always turn out exactly the way you want them to be and you feel disappointed. You are not always going to be the winner. That's when you have to stop and figure out why things happened the way they did and what you can do to change them.
Find the Silver Lining: When things don't work out the way you wish, always look for some positive outcome to the situation working out the way it did. For example, you can always be grateful that things didn't turn out even worse.
I think, the first time I played Iago at the Public Theater, I realized I had a - much to my chagrin - I realized I had an instinct for these conflicted characters, for these torn characters, for these characters who could be described as evil. I wouldn't describe them that way.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
That's the way it happens - some characters you set out to use, some are happy accidents. As long as it works, it doesn't really matter how you got them.
MOTHER: Why, just lying there, Jim, you run so fast. I never saw anyone move so much, just sleeping. Promise me, Jim. Wherever you go and come back, bring lots of kids. Let them run wild. Let me spoil them, some day. JIM: I'm never going to own anything that can hurt me.
The stupidest thing I ever did was turn down 'Terms of Endearment' to do 'Cannonball Run II.' Jim Brooks wrote the part of the astronaut for me. Taking that role would have been a way to get all the things I wanted.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
Who snitched?" "We have people monitoring police radio frequencies. They gave Jim a heads-up in case our security had to storm PAD offices and bust you out of there. I found out when I saw Jim walking down the hallway snickering to himself.
We had some pretty good at-bats off Carpenter. We just couldn't find any holes. That's the way it goes sometimes. We were able to get some guys on but weren't able to get them in early. We did some little things right, we got some guys on, we got some walks. We take it one batter at a time and everybody tries to stay within their own limitations. We did that, we just didn't get the big hit to get them in.
I had ambitions to set out and find, like an odyssey or going home somewhere, set out to find this home that I'd left a while back and couldn't remember exactly where it was, but I was on my way there. And encountering what I encountered on the way was how I envisioned it all. I didn't really have any ambition at all. I was born very far from where I'm supposed to be, and so, I'm on my way home, you know?
I've talked a lot with Greg Raymer and Joe Hachem. Being on Team PokerStars with them has helped me out quite a bit. I've traveled around Europe playing with them. I've also talked with Robert Williamson here and there and Jim Worth. So I've had some good people to talk to and bounce ideas off of.
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