A Quote by Mary Wesley

I never really know the title of a book until it's finished. — © Mary Wesley
I never really know the title of a book until it's finished.
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
I never know when a record is finished until it's almost finished.
I don't ever land on an album title until I know exactly what's going on the record, because you never know until it's all said and done.
When I choose the title [for my book], which was my favorite title, I felt sure there was going to be a dozen books maybe with that name already because it's so obvious to me that that's the message. I was surprised it hasn't been the title of a single book. Well, there is a Shel Silverstein children's book called Falling Upwards. But no one has chosen Falling Upward as a title and I'm very happy it's right on the cover.
When a young reader tells you that they'd never finished a book outside of school until they read yours, or that they really needed to hear something that one of your characters says or thinks... that's just rewarding and humbling.
Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.
I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.'
When I've finally got the title, I think, "Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
I was really the first-line editor of the 'House of Night' series. I didn't write that much of the story, and I didn't know what was happening until my mom finished the book and sent it to me because I wanted to read it with fresh eyes as a general reader would.
I feel like when I get into most rooms, melodies come really easily to me, and they sound good in my head. I never really know until I hear the song back and it's finished if it actually is good.
I was writing novels at eight. It was a science fiction epic, which went by the unimprovable title of 'Another Kind of Warrior.' I'd write it beginning to end, but when I'd finished it, I was another year older. The quality of writing and thought changed radically, so I'd start it again. I re-wrote that same book until I was 16.
I do not read the works of Salman Rushdie, I write them. By the time I have finished writing them all I can think of is never reading them again. It's so deep, your involvement with a book, that once it's finished, then you are really done with it.
Movies are great fun and wonderful when they're good. But you never get to see them till six months after they're finished. So you never get a sense of whether they're really well liked or how good they are. And you don't really know what the finished product is going to be like, because it's a director's medium.
With the great people that you work with, it's that they're never giving up and they're never thinking something's finished until they've really, really run out of time. They keep pushing in case there's a better idea around the corner.
When I was writing Shadow and Bone,' I really had no confidence as a writer. I had never finished a book before and I desperately wanted to finish a book for the first time.
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