A Quote by Mary Wigman

If I could say with words what my dances express, I wouldn’t have a reason to dance. — © Mary Wigman
If I could say with words what my dances express, I wouldn’t have a reason to dance.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
Dance is a universal language which allows you to express yourself without words and I think that is why everyone is so enamoured by dance.
It's like an emotional dance party: Some dances will be your favorites -- others more awkward or difficult to learn. Some will be boring or make you mad. some you will wish you never needed to do again. But AHA! You think. I will dance all the dances I can.
I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.
I could only believe in a God who could dance... And now a God dances through me.
I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.
I've never been to a prom or a dance; so it's funny, because we have dances on the show, and I'll be like, 'Oh yay! It's my school dance!'
If you could say it in words there would be no reason to paint.
Sure, I could give advice; I could, say, travel the world, listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer, then you have to make dances.
A silent figure is the dancer, true but still, words become dance, and all things there express'd.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
The reason we did 'Land of a Thousand Dances' and 'Gloria' on 'Horses' was because I liked repetitious, three-chord rock songs, but I didn't understand that I could write my own. I didn't realize that you could use those chords a million times.
If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, "We dance." In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.
I have this theory that the more important and intimate the emotion, the fewer words are required to express it. For instance in dating: 'Will you go out with me?' Six words. 'I really care for you.' Five words. 'You matter to me' Four words. 'I love you.' Three words. 'Marry me.' Two words. Well, what's left? What's the one most important and intimate word you can ever say to somebody? 'Goodbye...'
I see dance being used as communication between body and soul, to express what it too deep to find for words.
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