A Quote by Mary Wiseman
Listen, when you're starting out you're trying to be as creative as possible about how you can use your skills as an actor to make money.
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When you are starting out in your 20s, it is natural to think about all that you will have and do once you start making money, and making more money. That gives money way too much power over your life. It's not about how much you make, but the life that you make with the money you have.
Business requires an unbelievable level of resilience inside you, the chokehold on the growth of your business is always the leader, it's always your psychology and your skills - 80% psychology, 20% skills. If you don't have the marketing skills, if you don't have the financial-intelligence skills, if you don't have the recruiting skills, it's really hard for you to lead somebody else if you don't have fundamentally those skills. And so my life is about teaching those skills and helping people change the psychology so that they live out of what's possible, instead of out of their fear.
There’s something about the good-hearted guy fighting the system. I just love that. That’s how Speed is. He’s a really focused guy with a heart of gold and the corporations are trying to crush him and use him for his skills to make them more money.
There's something about the good-hearted guy fighting the system. I just love that. That's how 'Speed' is. He's a really focused guy with a heart of gold and the corporations are trying to crush him and use him for his skills to make them more money.
All the problems sitting there are an invitation for you to be creative, make use of your skills and resources and find a solution.
Making films requires the creative skills you'd expect, but it also demands immense non-creative skills, like the ability to raise all that money and the savviness to work the studio's politics.
If you're an actor in your heart, no matter how much money they shove at you, it doesn't matter if the work doesn't provide that creative spark. You want out.
The biggest problem is getting beyond the "you can't" syndrome. The moment you figure that out, you're on your way to flying. Anyone who cannot see problems around him or herself is utterly blind. All the problems sitting there are an invitation for you to be creative, make use of your skills and resources and find a solution.
We frequently hear how essential it is for someone to think "outside the box," but what actually determines one's facility for doing so? In other words, what skills make someone a creative thinker? Typically, creative thinkers can view issues from multiple perspectives, define problems in several different ways, and anticipate likely obstacles. Someone's aptitude for these skills determines how well he or she will perform as a creative thinker.
For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.
Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.
You can't just tell your team, 'Think long term.' It doesn't work that way. When you are starting out, you have to always think about trying to build something of value for the customer: something they can use all the time, something of use.
I was trying to figure out how to use the skills I had developed in the world of social change.
As an actor, you're not a person; you're a product, a commodity. It's about money. Your job is about making money for other people. At some point, you learn how to be on the other side of that table. You write, direct, produce, and create opportunity for yourself. Then you start to make money for yourself.
I'm trying to have no regrets. I'm starting to learn about myself and how to live. As an actor, part of the job is accepting your life and learning how to roll with it. I want to live a life where I don't regret any decisions, and if I do, I learn from them.
I used to hang out in my dad's workshop on weekends. Later, when I was starting out as an actor, I became a roofer and a framer to make money. But what I really enjoyed was the finished work. I like the longevity.
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