A Quote by Mary Wollstonecraft Shelley
I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy.
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The reason why congregations have been so dead is, because they had dead men preaching to them. O that the Lord may quicken and revive them! How can dead men beget living children?
As we talked, I had the sense of uncovering something precious and long-buried, fully formed. Our conversation was a process of removing layers, some of them easily dusted away. Other layers, requiring chisels or axes, were left alone for now. We revealed as much as we dared about what had happened during the years that separated us. But it wasn't what I had expected, being with Hardy again. There was something in me that remained stubbornly locked away, as if I were afraid to let out the emotion I had harbored for so long.
Here's the simplest answer: Within weeks, the disciples proclaimed the resurrection of Jesus Christ, that He had been bodily raised from the dead and appeared to them.
There is in man a conscience which outlives the sensations the sensations, resolutions, and emotions of the hour, and rises above them all.
Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds. But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.
It is in deep solitude that I find the gentleness with which I can truly love my brothers. The more solitary I am, the more affection I have for them. It is pure affection, and filled with reverance for the solitude of others. Solitude and silence teach me to love my brothers for what they are, not for what they say.
At one campus where I was lecturing, I asked a friend, "How many of my colleagues know I'm gay?" He answered, "All of them." I wasn't surprised. But, just the same, it was kind of spooky, because not one of them had ever given me the faintest sign that he or she knew. If I had spoken about it myself, most of them would have felt it was in bad taste.
I was probably 14 or 15 when I was first on stage at school doing 'Measure for Measure.' I immediately felt it was a great way of expressing oneself at a moment when I didn't think I could express myself, really. I suddenly had access to this range of emotions and thoughts and feelings that were there in me. I was surprised by that.
I do not like that I allowed my past to close me off. I do not like that I let circumstances rob me of the ability to have a normal relationship with a man, to have friends, to be happy. I do not like it, but I had felt myself powerless against it.
Half the pleasure of solitude comes from having with us some friend to whom we can say how sweet solitude is.
I took a great deal of pleasure in it, and I still feel nostalgic about it. However, I felt that it had led me to live in a parallel world of pure invention, shut inside my solitude. Naturally, it was precisely for that purpose that it was made and that was why I took pleasure in it, but I wanted to regain body and roots.
Selden and Lily stood still, accepting the unreality of the scene as a part of their own dream-like sensations. It would not have surprised them to feel a summer breeze on their faces, or to see the lights among the boughs reduplicated in the arch of a starry sky. The strange solitude about them was no stranger than the sweetness of being alone in it together.
Not hear it? --yes, I hear it, and have heard it. Long --long --long --many minutes, many hours, many days, have I heard it --yet I dared not --oh, pity me, miserable wretch that I am! --I dared not --I dared not speak! We have put her living in the tomb!
I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.
You who are dead ... tonight you will disport yourselves for my pleasure. Food and wine will pass between your dead lips, though you will not taste it. Your dead stomachs will hold it within you, while your dead feet take the measure of a dance. Your dead mouths will speak words that will have no meaning to you, and you will embrace one another without pleasure. You will sing for me if I wish it. You will lie down again when I will it.... Let the revelry begin.
The fruit of solitude is increased sensitivity and compassion for others. There comes a new freedom to be with people. There is new attentiveness to their needs, new responsiveness to their hurts. Thomas Merton observes, 'It is in deep solitude that I find the gentleness with which I can truly love my brothers. The more solitary I am the more affection I have for them.... Solitude and silence teach me to love my brothers for what they are, not for what they say.
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