A Quote by Mary Wortley Montagu

As I approach a second childhood, I endeavor to enter into the pleasures of it. — © Mary Wortley Montagu
As I approach a second childhood, I endeavor to enter into the pleasures of it.
One of the pleasures of being an actor is that it takes you places you wouldn't ordinarily go, and you don't enter as a tourist, you really enter the life of the place.
Almost all men are over anxious. No sooner do they enter the world than they lose that taste for natural and simple pleasures so remarkable in early life. Every hour do they ask themselves what progress they have made in the pursuit of wealth or honor and on they go as their fathers went before them till weary and sick at heart they look back with a sigh of regret to the golden time of their childhood.
I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life.
The quality of any creative endeavor tends to approach the level of taste of whoever is in charge.
By definition, comfort foods are rich and creamy or evocative of childhood pleasures.
As you embrace the process-oriented approach described in The Practicing Mind, you'll achieve better results in any endeavor.
I escaped the torture of my childhood home by reading. To this day it is still one of my greatest pleasures.
My mind spun for a second before it drifted, and in that second I knew that of all pleasures a drink of cold water when you are thirsty, liquor when you are not, sex, a cigarette after many days without one there is none of them can compare with sleep. Sleep is best.
There are two ways to approach the application process: trying to hit a home run by getting an immediate 'Yes, here's an offer' or trying not to be eliminated. I recommend the second approach.
The magical approach is indeed the natural approach to life's experience. It is the adult version of childhood knowledge, the human version of the animals' knowledge, the conscious version of 'unconscious' comprehension.
Most men are like me. They cannot live in a universe where the most bizarre thought can in one second enter into the realm of reality--where, most often, it does enter, like a knife in a heart.
I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life. Your innocent understanding of the world moves towards something messier and more complicated, and once it does you can never go back.
One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
A journey into the wilderness is the freest, cheapest, most nonprivileged of pleasures. Anyone with two legs and the price of a pair of army surplus combat boots may enter.
They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
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