A Quote by Mary Wortley Montagu

The screech-owl, with ill-boding cry, Portends strange things, old women say; Stops every fool that passes by, And frights the school-boy from his play. — © Mary Wortley Montagu
The screech-owl, with ill-boding cry, Portends strange things, old women say; Stops every fool that passes by, And frights the school-boy from his play.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
There was an Old Man with an owl, Who continued to bother and howl; He sate on a rail, and imbibed bitter ale, Which refreshed that Old Man and his owl.
There was a four year old child whose next door neighbor was an elderly gentleman who had recently lost his wife. Upon seeing the man cry, the little boy went into the old gentleman's yard, climbed onto his lap, and just sat there. When his Mother asked what he had said to the neighbor, the little boy said, “Nothing, I just helped him cry.²” “Even after all this time the sun never says to the earth “You owe me” Look what happens with a love like that, It lights the whole sky..”
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
Every boy learns more in his hours of play than in his hours of labor. In school, he lays in the materials of thinking, but in his sports, he actually thinks: he whets his faculties, and he opens his eyes.
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
I've eaten a lot of strange things. I've eaten something called a razor clam. They just call it that because it likes like the old-school razors in the old-school barber shops. I can't even think of some of the things I've tried.
My first school play was 'Perkin and the Pastry Cook' that my primary school put on, and I played a boy, and it was so much fun, and I'd love to play a boy again. I think that would be great.
Lamentation is the only musician that always, like a screech-owl, alights and sits on the roof of any angry man.
It has been said that there is no fool like an old fool, except a young fool. But the young fool has first to grow up to be an old fool to realize what a damn fool he was when he was a young fool.
The owl flies, in the moonlight, over a field where the wounded cry out. Like the owl, I fly in the night over my own misfortune.
Strange times are these, in which we live, forsooth ; When young and old are taught in Falsehood's school:– And the man who dares to tell the truth, Is called at once a lunatic and fool.
The cry comes from the friends of the school-room, from those who would give the State a strong, great, noble citizenship, for protection from the curse of drunkenness. This cry should be heard and answered by every lover of his fellow-men, no matter where his home may be.
Go on writing plays, my boy, One of these days one of these London producers will go into his office and say to his secretary, "Is there a play from Shaw this morning?" and when she says, "No," he will say, "Well, then we'll have to start on the rubbish." And that's your chance, my boy.
I used to write things that might have sounded better coming out of an older person's voice or vision. Hence, "grandpa-boy." I'm an old man, but I'm a boy. A really old boy!
Day just smiles at me, an expression so sad that it breaks through my numbness, and I begin to cry. Those bright blue eyes. Before me is the boy who has bandaged my wounds on the streets of Lake, who has guarded his family with every bone in his body, who has stayed by my side in spite of everything, the boy of light and laughter and life, of grief and fury and passion, the boy whose fate is intertwined with mine, forever and always. "I love you," he whispers. "Can you stay awhile?
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