A Quote by Mary Zimmerman
I'm drawn to very large texts that are mammothly popular in different parts of the world but are almost unknown here [the USA]. They're safe bets; if they've been around for 2,000 years, there's a reason. It's often a title or just a phrase within the text that will compel me to adapt it.
Related Quotes
We always had National Geographic and Astronomy magazines and Popular Mechanics lying around the house. I got interested in exploration and different parts of the world and different parts of the universe just from seeing those things around the house and the different discussions we had as a family.
We are just a blip. I found it very interesting when Clive [Oppenheimer] interviewed the Ethiopian scientists and asked them, "Do we have another 100,000 years?" In their calculation, mankind will be entering a very critical phrase a thousand years from now.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
He who bets on governments and government money bets against 6,000 years of recorded human history.
There are just four kinds of bets. There are good bets, bad bets, bets that you win, and bets that you lose. Winning a bad bet can be the most dangerous outcome of all, because a success of that kind can encourage you to take more bad bets in the future, when the odds will be running against you. You can also lose a good bet no matter how sound the underlying proposition, but if you keep placing good bets, over time, the law of averages will be working for you.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
For the longest time, I was just playing music and not really expecting any success - just kind of doing it because I liked doing it. While doing that, I went on a lot of shitty tours, playing to nobody, so I think it makes me appreciate it. Our band the New Pornographers have been popular for a few years now, but it still shocks me. I remember thinking we were hugely popular when we sold 15,000 records, and now this one sold 30,000 in two weeks. I'm grateful for the whole thing.
For years I walked around with the phrase "Green River" because I had seen that on a soda fountain drink when I was probably 8 or 9 years old, and I went, 'Gee, I like that.' Another one was "Lodi", which I thought sounded really cool. I got this cheap little empty plastic notebook at my local drugstore, and bought a little slab of filler paper and the very first title I wrote in it was "Proud Mary". I had no idea what that title meant.
Almost all of the Marshall Islands' 72,000 residents live within seven feet of sea level. If the climate continues to change at its current pace, ocean acidification could destroy its resources and rising oceans could flood large parts of the islands.
I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.
They will have the World to be in Large, what a Watch is in Small; which is very regular, and depends only upon the just disposing of the several Parts of the Movement.
The iPod is not a new category. Music is not new. It's not a speculative market. It's a very, very large market. It's been around for thousands of years and will be around as long as humans exist.
After nearly 6,000 years of evidence on the subject, one thing stands clear: the people who end up as leaders in any organization, large or small, are often the craziest guys around.
I want to write such things as compel the admiring acclamation of the world at large, such things as are written but once in years, things subtle but distinctly different from the books written every day.
I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.
Rightful liberty is unobstructed action according to our will within limits drawn around us by the equal rights of others. I do not add 'within the limits of the law' because law is often but the tyrant's will, and always so when it violates the rights of the individual.
Related Authors
Anne Bogart Quotes
American
Theatre Director
George Ogilvie Quotes
Australian
Theatre Director
Harold Clurman Quotes
American
Theatre Director
Jerry Adler Quotes
American
Theatre Director
Jerzy Grotowski Quotes
Polish
Theatre Director
Joan Littlewood Quotes
English
Theatre Director
Susan Stroman Quotes
American
Theatre Director
Tadashi Suzuki Quotes
Japanese
Theatre Director
Terry Hands Quotes
English
Theatre Director
Thea Sharrock Quotes
English
Theatre Director
Vsevolod Meyerhold Quotes
Russian
Theatre Director
Walter D. Asmus Quotes
German
Theatre director
William Gaskill Quotes
British
Theatre Director