A Quote by Maryam Mirzakhani
Most problems I work on are related to geometric structures on surfaces and their deformations.
Related Quotes
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
Traditional society was more like a set of concentric circles of meaningful structures, while modern man must learn how to find meaning in many structures to which he is only marginally related. In the village, language and architecture and religion and work and family customs were consistent with one another, mutually explanatory and reinforcing. To grow into one implied a growth into others.
These abnormal aspects included the shapes of UFOs and their behavior. Most of the UFOs seen in the daytime were said to have had simple geometric shapes-discs, ovals, spheres, cylinders-and surfaces that looked like metal. Such shapes are not only nonexistent among known aircraft, but contrary to all known theories of flight, in most cases offering control and performance disadvantages rather than advantages.
What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism.
Most of our problems are related to the mind, so we have to work to reduce our destructive emotions.
My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
The most important thing is that man should be the measure of all structures, including economic structures, and not that man be made to measure for those structures. The most important thing is not to lose sight of personal relationships - i.e., the relationships between man and his co-workers, between subordinates and their superiors, between man and his work, between this work and its consequences.
Most of the common infections - colds, flu, diarrhea - you get environmentally transmitted either in the air or on surfaces you touch. I think people under-rate surfaces.
Man is a thinking being. The way he thinks is related to society, politics, economics, and history and is also related to very general and universal categories and formal structures. But thought is something other than societal relations.
Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.
I've got 99 problems, and most of them are height-related.
I should not like to leave an impression that all structural problems can be settled by X-ray analysis or that all crystal structures are easy to solve. I seem to have spent much more of my life not solving structures than solving them.
Most of the albums that have taken long have been related to illness and fatigue or producer problems.
I think the structures of exclusion are more systematically built up in American society, for example, so that young girls interested in science eventually lose their confidence over time. The structures of exclusion work against them. We have other structures of exclusion in India, but not around modern scientific knowledge.
Fully "biodegradable" structures are nowadays the ideal and the standards to which most, if not all structures, struggle to measure up.
Within the human consciousness is the unique ability to perceive the transparency between absolute, permanent relationships, contained in the insubstantial forms of a geometric order, and the transitory, changing forms of our actual world. The content of our experience results from an immaterial, abstract, geometric architecture which is composed of harmonic waves of energy, nodes of relationality, melodic forms springing forth from the eternal realm of geometric proportion.
Related Authors
Ada Lovelace Quotes
English
Mathematician
Alfred North Whitehead Quotes
English
Mathematician
Benoit Mandelbrot Quotes
French
Mathematician
Carl Friedrich Gauss Quotes
German
Mathematician
Charles Babbage Quotes
English
Mathematician
David Hilbert Quotes
German
Mathematician
G. H. Hardy Quotes
British
Mathematician
George Polya Quotes
Hungarian
Mathematician
Hannah Fry Quotes
English
Mathematician
Henri Poincare Quotes
French
Mathematician
Isaac Barrow Quotes
English
Mathematician
Isaac Newton Quotes
English
Mathematician
Norbert Wiener Quotes
American
Mathematician
Pythagoras Quotes
Greek
Mathematician
Rene Descartes Quotes
French
Mathematician
Seymour Papert Quotes
American
Mathematician