A Quote by Maryam Mirzakhani

I'm quite confident, in some sense. — © Maryam Mirzakhani
I'm quite confident, in some sense.
Women I've known have always been quite strong and confident women. Sure, I've got some friends who aren't so overtly confident, or at least don't appear that way. But when you get to know them, they are very much so.
I think art comes from some sense of discomfort with the world, some sense of not quite fitting with it.
You're dealing with a character who is, at some points, quite insane. And I hope that any wicked, dark sense of humor Eric exhibits comes out of the fact that he'd been pushed to the point where it seems quite sensible to say some of the ridiculous things he says.
Basically, I think some of the weight helped take some of the walls down in reality, so basically I got a little more confident. I'm definitely not super confident, but I am confident that I don't have to hide behind those layers of fat and that I can actually open up to people a little more.
If I'm feeling confident, then I write confident, happy, or assured music. I can hear some early electronic sketches I did where I'm clearly not confident and everything's a bit mid-range, nothing really pushes through.
I am very confident. I look confident. I act confident. I speak in a confident way.
Initially, less appealing to me than the idea of a vampire that is drawn by some misgiving or drawn by some sense of longing that he can't quite satiate.
I can just sense some eyes, some people kinda stare a little bit like they recognize me but don't quite know for sure kinda thing.
Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.
Writers feel that they can't afford to wait. They must do it now, and they are so clever, and there is so much competition. I'm quite happy to wait, and quite confident that the muses will cross the stream.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
Some people are confident because they are fools. Leonard had the look of someone who was confident because, so far, he'd never found a reason not to be.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is some way.
I'm confident in my team. I'm confident in my coaches. I'm confident in my ability. I worked really hard to become a better mixed martial artist.
To consider powerful souls as if they were a useful public resource is quite foreign to our customs. In a small sense it is undemocratic, for it assumes that some people really know better in a way that must seem arbitrary to most. In a large sense it is certainly democratic, in that it makes the great man serve as a man.
It's just the way I'm made. I do feel confident in what I do. It doesn't always work out 100% of the time, but generally I think I can do it quite well. But the other part of my job is doing the press and stuff. And I'm rubbish at that. I'm really not good at that at all - this quite important part of what I do.
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