A Quote by MaryJanice Davidson
Take your hands off her, Sinclair told the guy behind me, Or they'll write books about what I'll do to you.
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A story a friend told me about being in New York and meeting this Latin-lover kind of guy. They went up to her hotel room, and the guy kind of pounced on her and told her to spread her legs, shouting, "Surrender the pink! Surrender the pink!" That's where it's from.
If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
My mother always told me if you write about life, you will always be in the game. Just don't write songs write life. I decided to take her up on that.
My mother always told me if you write about life, you will always be in the game. Just don't write songs... write life. I decided to take her up on that.
I have a hunger for justice, but art is a place I've always enjoyed being able to be free - to live in worlds that you don't have to be thinking about that all the time. I don't see myself writing Upton Sinclair books. My books are to entertain, although to me, entertainment is to make you feel sadness or to get in touch with your own pain - or fear, or to remember somebody who has gone missing from your life. That's my calling.
When I was twelve, Uncle Randall looked up long enough to see that I was a reader as well, so he walked me down his hall to a linen-closet door and opened it up onto a wall of paperbacks. There were books behind books, as deep in as I could reach. He told me to take three, and when I was done, bring them back and take three more.
All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler." It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
My mother always told me that no matter how late it is, you take your makeup off. Take it off!
When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’
A friend of mine told a story about a date with a guy she was really excited about: He stood her up. He then called her, begging her forgiveness and giving some excuse. She told him to get lost, telling him that he only gets one shot with her, and he blew it.
My father told me never to take my foot off a ladder to kick at someone who was kicking at me. When I did that, I would no longer be climbing. While they are kicking, my father told me, I should keep stepping. They can kick only one time. If I continued to climb, they would be left behind. In trying to hurt me, to impede my progress, they would get left behind because they allowed themselves to get sidetracked from their agenda.
One of my favorite stories is, I got fired off 'Bionic Woman' in part because I was told that I don't know how to write women, and they promptly replaced me with a guy. What I find lovely about the story is how unaware the white dude who said that to me was when he said it.
You mostly.” Her hands went still again as her eyes stared off into the past with a look so wistful it made me ache for her. “The boys tended to take care of each other but you were too much for anyone else to handle.” I poked at the ball of yarn avoiding her eyes. “I wasn’t that bad.” She smiled. “You broke Ethan’s arm.” “It was self-defense. He wouldn’t let go of my foot.” “He was helping you tie your shoe.
It takes me about three years to write a book. They're very complex, and they take a lot of research, but also because the more popular your books get, the more popular you get, and people want to haul you off and look at you.
The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.
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