A Quote by MaryJanice Davidson

It was scary how much she sounded like me sometimes. Maybe that's why she totally got on my nerves — © MaryJanice Davidson
It was scary how much she sounded like me sometimes. Maybe that's why she totally got on my nerves
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
He sometimes wondered if she had become involved with him just so that she could cry in someone's arms. Maybe she can't cry alone, and that's why she needs me.
In time, she learned to develop her own opinion of the people that she worked for, and she got stronger. Think she's now much stronger. In the beginning she wanted to believe she was strong but sometimes she faltered.
And she looked at me like she couldn't believe I knew she loved Anne Rice. I guess he didn't know how much she talked or how much I listened.
Ma is my biggest critic. When she cleans my cupboard she keeps nagging me as to why I have 20 shoes or why my accessories don't match my dresses. I just keep hiding things from her. There are times when I wonder why she can't praise me like other mommies. But, in a way she is right and I like it when she corrects me.
She is such a doer, Cara - she is so ambitious. She has always known what she wants, and she's a hustler. Sometimes I call her, and I'm like, 'You need to help me hustle,' and she is like, 'Come on!'
Sometimes girls write me. One girl in Yugoslavia sent me a whole slew of love letters. I don't know how she got my address. She was in a crowd watching me play. She says when I left there the stars fell out of the sky over Yugoslavia, or something like that.
She went away, she cut me like a knife Hello beautiful thing, maybe you could save my life In just a glance, down here on magic street Loves a fool's dance And I ain't got much sense, but I still got my feet.
I was my mom's oldest child, so she was like, watching closely and taking notes, like, 'Okay, this is what she gravitates towards,' and she gave me all the tools to keep me focused. I liked to write; she got me notebooks. I wanted to draw; she got me sketch books and crayons and coloured pencils.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
Anyway, when I got out of the Army, I went to see a therapist. And she said, what seems to be the trouble? And I said I want to give all my money away. And she said, how much do you have? And I said, I owe $300. She stared at me for several seconds, and she said, I see. Well, let's get to work. And maybe by the time you do have some money, you'll be wise enough to know what to do with it.
So you got rid of your astonishment that someone could write so much more dynamically than you. You stopped cherishing your aloneness and poetic differentness to your delicately flat little bosom. You said: she's to good to forget. How about making her a friend and competitor — you could learn alot from her. So you'll try. So maybe she'll laugh in your face. So maybe she'll beat you hollow in the end. So anyhow, you'll try, and maybe, possibly, she can stand you. Here's hoping!
We have a double standard, which is to say, a man can show how much he cares by being violent-see, he's jealous, he cares-a woman shows how much she cares by how much she's willing to be hurt; by how much she will take; how much she will endure; how suicidal she's prepared to be.
The woman doesn't look up. It's as if she's deaf. Maybe she is. Maybe she's like the Cambodian women I've read about, the ones who witnessed so many atrocities that they have willed themselves blind. Maybe that's what you have to do sometimes to survive. You kill off part of yourself, your hearing or eyesight, your capacity for hope.
The certainty that she would find what it was she sought just slipped away, until one night she knew there was nothing, no one waiting for her. That no matter how far she walked, how carefully she searched, how much she wanted to find the person she was looking for, she was alone" - The Forgotten Garden
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