A Quote by Masaba Gupta
I think Bengali women have the most eclectic sense of dressing.
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Gender roles are absurd when you actually look at them. The fact that anybody could ever say or think that dressing in women's clothes is wrong, or odd. Women dressing in women's clothes and men dressing in men's clothes is the actually the thing that is really odd.
I'm obsessed with all things Bengali, man. I love fish, my maid is Bengali, I acted in Bengali and Bangladeshi films.
I seriously think Bachchan is more Bengali than any one I know. He's a true Bengali dada. And I'm not saying that because he has a Bengali wife or has spent time in Kolkata. There's more of Rabindranath Tagore's legacy in him than anyone else.
I think I'm a girl's girl in the sense that I support women a lot, and I'm definitely all for girl power, but I think I'm quite a tomboy at heart - even though I love my fashion and dressing up, I think my essence is very boyish.
I'd say, in some ways, I'm very Bengali. I have a love of the arts - dance, music, visual arts - which I think is a very Bengali trait. I also love food, which I know is very Bengali!
Whenever I get married, it will be a Bengali wedding. If I won't have a Bengali wedding, my mother won't come. She has warned me. So, I am going to have a Bengali wedding for sure.
I think women dress for other women to let them know what their deal is. Because if women were only dressing for men, there would be nothing but Victoria's Secret. There would be no Dior.
They say that women dress for other women, but I don't think that's entirely true. If we want to look flossy out-and-about on a Friday night, we're dressing for the boys - and it's nice when they notice.
In a sense, there are as many forecasting methods as there are forecasters. But I would argue that most projections are derived from two major methods: macro-econometric models and eclectic judgment.
I have introduced my daughter to the literary classics and landmark Bengali films. I want her to be well-versed in English but not at the cost of Bengali.
Everywhere I go today, people talk about Bengali cinema. I completely refuse to accept that Bengali filmmakers are not making good films.
We design for a whole range of ages and body types, and we always have done. What's great about us is that the common thing that they all like is an accessible eccentricity of an accessible flamboyance, and I think the super thing about that, it isn't age-specific: you're not only dressing 25-year-olds; we're dressing women from 25 to 65+.
There's such an odd, eclectic group of people that make up the town of Plymouth, New Hampshire. I don't think I could avoid not coming out of there with a pretty good sense of humor.
Bengali women have a lot of sensual appeal.
In fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.
I used to watch my mom put her makeup on for the stage, and it was one of the most special moments. I would sit quietly on the dressing room floor and watch her put her face on. I think she looks most beautiful in the morning when she wakes up with no makeup on... it's my favorite look on women.
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