A Quote by Masaba Gupta

I was born in the Eighties, and at that time the idea of having a mixed-race child wasn't welcome. Then I was also an unusual mix nobody was used to seeing. So people weren't very accepting of me in the beginning, but later that changed.
Afraid no, I wasn't afraid but it was an unusual thing, it was an unusual feeling. It was an unusual atmosphere for me having grown up in this country and, and, and never seeing anything like that.
This whole idea of editing, not one time I can tell you, not one time has a producer ever asked me to say something I did not want to say. I will also say this about 'Drag Race' producers: I will stand by the show and the people there because they have changed so many people's lives for the better, and I'm one of them.
My life has been extremely complicated. Not by choice at the beginning at all, but later on, I had become used to complication and went on accepting things that other people would have found too difficult to accept.
In the beginning this was just an idea. Then it was a short story. Then it was a script. Each step was pretty exciting to see people come on board to support the project. It's gratifying to know that more people are seeing my work in this form than my work as a playwright. And it's been fun to hear people's response to seeing it. I've been having some deep conversations with strangers and friends about how much it has made them think about slavery and its impact today.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
When you grow up in that (multi-ethnic) environment, you see the world differently. Being a mixed-race child, I didn't always see colour in people, I really didn't. It was other people that made me see the colour all the time.
The idea that because you're born in Haiti you could die having a child. The idea that because you're born in you know Malawi your children may go to bed hungry. We want to take some of the chance out of that.
After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
Being creative means first of all doing something unusual... On the other hand, however unusual it may be, the idea also has to be reasonable for people to take it seriously.
That's very indicative to me of one of the things that really creates an aversion for me about having a child - this idea that every decision you make in your life has to be dictated by the child. And yet, I believe that if you choose to have a child you have an absolute primary responsibility to create a safe, loving environment.
I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.
Whether you're Michael Waltrip or Jeff Gordon or Richard Petty, you can't be the Daytona 500 champion without it having an impact on people around you. When I say that, I mean the race fans. They want to congratulate you for winning the biggest race of the year. It has changed people's perception of me.
People don't realize 'Drag Race' is a certain percent competition, but it's also a game show. There's a certain amount of throwing dice and spinning wheels, and there are twists and turns all the time. Part of it is also having the right idea and pulling the right look together that day. We're all making choices in the moment.
My mom had seven kids in seven years, and then she had me 11 years later. So when I was born, my oldest brother was 18. And my youngest brother was 11. By the time I was 7 or 8, everyone had moved out. I went from being with ten people all the time to being an only child. It really freaked me out.
All I would say is that when I've been very down or having kind of a tough time in my life, certain films or pieces of music or books have changed that. They've taken me out of a dark place and put me into a more positive one. And I think that if we can do that for people, then it's certainly worth doing.
I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.
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