A Quote by Masaba Gupta

Fabrics such as raw silk, velvet, shimmer, satin and georgette work well for the wedding season. — © Masaba Gupta
Fabrics such as raw silk, velvet, shimmer, satin and georgette work well for the wedding season.
I love nice fabrics and texture like velvet and silk, and have a special Moroccan corner in my house to curl up and read in.
I grew up in the age of polyester. When I got to touch real silk, cotton and velvet, the feel of nonsynthetic fabrics blew me away. I know it's important how clothing looks, but it's equally important how it feels on your skin.
Carrying 200 pounds of velvet and satin around a stage for 90 minutes - that's man's work, let me tell you.
The fabrics I've used in my work are satin and sateen. Sateen is very glossy and far from luxurious. Bright solid colors with too much sheen seem gaudy, pathetic and nostalgia-inducing. Such fabrics are reminiscent of the power of chaos in a shaman's space: overabundant offerings of food on alters, kitschy decorations, provocative shades, vigorous dancing, plaintive singing, absurd fits of crying and laughing, and self-abandonment.
She wore blue velvet Bluer than velvet was the night Softer than satin was the light From the stars She wore blue velvet Bluer than velvet were her eyes Warmer than May her tender sighs
Satin and lace and brown velvet and the faint odor of violets. That was all which was left to him of his love.
Clothes can have a very refined vibration. An ochre robe can be extremely refined and so can a wonderful satin gown or a silk brocade coast.
In burgundy, a well-cut and properly tailored velvet blazer looks dashing with gray flannels and a cashmere sweater or a sleek, solid velvet tie.
love is a hawk with velvet claws love is a rock with heart and veins love is a lion with satin jaws love is a storm with silken reins
When I am in the city I have the impression that I am in a living room with crystal chandeliers, rugs of velvet, and satin cushions. And when I'm in the favela I have the impression that I'm a useless object, destined to be forever in a garbage dump.
I was able to attend a doggie wedding where the bride wore a custom made gown of taffeta and satin - the quality of the dress was nicer than a lot of the human weddings I've been to.
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.
For lips, I'm into mauves, and I like a little shimmer. I have this Dior lip gloss I love right now called Pearl. It's pink and has shimmer. I don't like anything overdone.
Sashimi is velvet dust, verging on silk, or a bit of both, and the extraordinary alchemy of its gossamer essence allows it to preserve a milky density unknown even by clouds.... my cheeks recalled the effects of its profound caress.
My job ranges from creating the initial overall theme of the season, to developing fabrics and sketching to sampling and fitting.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
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