A Quote by Masashi Kishimoto
I didn't think much about foreign readers when I began 'Naruto,' but I knew that many of the artists who influenced me had already been accepted overseas.
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You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
As a child I had been so afraid of so many things, but as soon as I held a camera in my hand, I began to expose myself to the very things that were foreign to me and that I had always feared.
I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'
I have been influenced by the greatest artists in jazz, pop, reggae, traditional, ballards, pop, and all types of music, taking the best from each to represent my own personality. Whitney Houston, George Michaels, Sade, Phil Collins, and many others have influenced me.
Sasuke is always in the corner of my mind. Naruto and Sasuke progress as a pair. So when I write about Naruto, I always have to think about Sasuke. They are on opposite sides of the spectrum, like yin and yang.
I went to California at a perfect time... when many of those people that I had admired so much in films were not working that much. They had free time on their hands to talk to... me, and they liked me because I knew so much about them.
I knew that to find and to feel Yoav again would be terribly painful, because of what had become of him, and because of what I knew he could ignite in me, a vitality that was excruciating because like a flare it lit up the emptiness inside me and exposed what I always secretly knew about myself: how much time I'd spent being only partly alive, and how easily I'd accepted a lesser life.
No, it's not healed. It happened in Sochi and it's been going on and off all season. It's been bugging me throughout my entire Grand Prix season. Coming here, my foot was bothering me. I knew when to push my foot and when not to. I know that it was all in my head. I knew if I didn't think about it too much, it wouldn't bother me too much. But it's been getting better. Still not fully healed but it's getting much better than it has been.
It's interesting how many science fiction writers get going when they are very young. I was on a program with Greg Bear and he mentioned that he had gotten started writing when he was eight. And I began writing when I was 10. I think we're influenced by the stuff, we find it and we love it and we're influenced by it....I know I collected my first rejection slip when I was 13, and I went on collecting them for a long time after that.
I've been in America for almost ten years. I've had many parts of the American experience. I've been all over this country and seen many different parts of it. It's just that I'm not an American. I've never become an American. I'm talking about the whole thing-psychologically, citizenship, the whole trip. Of course I've definitely been influenced by America-I'm definitely influenced by the music and the culture.
At any rate, when I began photographing myself, I could place myself in poses that had not been investigated by other artists. It was an area other artists hadn't touched. Then, I went on from there. I manipulated my image - distorting it, brutalizing it. People thought I was mad, but I felt I had to tell these things. It gave me a kind of excitement.
Fans in China are very different from those overseas. In China, many people really love me and care about my life. But there is always some jealousy mixed up in this feeling of love. I think that is the big difference. Overseas, there is none of that.
I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
Even while writing about foreign places, I have been in a way writing about America, because that's the subject that interests me the most. I'm attached to it, critical, but it's definitely my country, and maybe even more so when I'm overseas.
Gradually I began to intellectually reject some of the delusionally influenced lines of thinking which had been characteristic of my orientation. This began, most recognizably, with the rejection of politically-oriented thinking as essentially a hopeless waste of intellectual effort.
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