I find that I'm at my least creative point when I am doing something that I've done in repetition and I know all the rules - I never break the rules because I know them.
It's exciting to see how fast your kids learn and grow. I'm not too worried about them, particularly the ones who like to break rules and don't follow instructions; those are the ones that will do just fine because they know what's important to them.
I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.
I just like playing with makeup and clothes - so I really don't feel like there are rules, and if there are rules, then I think it's up to you to break them.
I think that the essence of being an artist is to break rules. You have to learn rules, and you have to break them, because if you make art only by the rules, then you make very boring art.
I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
Rules matter, and to be rules they need to be universal in form: always do this, never do that. But it is foolish to rule out in advance the possibility that an occasion might arise when normal rules just don't apply. Rules are not there to be broken, but sometimes break them we must.
And I'm the first one to tell people to break the rules. But you can only break the rules once you know what the rules are. The other thing is, fashion is the last design discipline to actually have academic texts and historical analysis.
I like rules. Without them, we don't know what to break.
You cannot break a horse until they're about 2 years old. You can halter-break them, meaning teach them how to lead and stuff, if you choose to, but you can't really break them until they're 2 because there aren't developed enough, you know what I mean? It would be like a 5-year-old playing football or something, you know?
Creativity means learning where the rules exist, and then breaking them! Saying, "It's better this way." But you have to know the rules in order to break them with any grace.
You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition.
Lying and corruption are in the Iranian society in all sense of the world, and if you do research about married women, you see that a lot of them tell you they get a lot of enjoyment from breaking the rules of corruption, because just for the fact that they break the rules, it makes them oppose the system.
Some guys that know me from when I was a kid say "My son, oh he's just like your father." It's just a natural part of our lives. But, within the music industry and within the industry of the critiques of music, where it becomes "Ziggy's music is not as good as Bob's music," I don't understand. But I don't really pay much attention to that because I'm just expressing myself.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
It's like jazz: You learn the rules to break them - as long as you can break them in a meaningful way.