A Quote by Masego

You're allowed to be a little bit weird and still get massive attention. The fact that a Solange can work or a Daniel Caesar can work or even how far Kendrick Lamar has gotten. People are getting more comfortable.
I'd love to work with people like Drake, Kendrick Lamar, Rihanna, Bruno Mars, and The Weeknd.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
I'd love to work with Snoop Dogg, Skrillex, Lil Wayne, Kendrick Lamar.
You just do you like when you're doing any other song. It's nothing different. Some people are like "How's it like working with Kendrick Lamar?" and really, it's like working with anyone else that I work with.
I really like Kendrick Lamar. I'm still a Talib Kweli fan, Lupe Fiasco, Mos Def, Common Sense - people who say things that are relevant to everyday life. I don't pay attention to artists that talk about throwing money away and the car that they drive.
I want people to be like, 'Your album's just as good as Kendrick [Lamar]'s or Esperanza Spalding or Beck. I work just as hard as them.
I've never quite felt totally comfortable up on stage. I've gotten more comfortable, but drinking wine is a crutch that gives me a little courage. It helps me lose a little bit of the self-consciousness and the awareness of how awkward it is standing on a stage with lights and a bunch of people looking at you while you sing love songs.
From what I've heard, Paris did a little bit more prep work as far as making bike lanes and all of that stuff. They really did it properly, which New York is getting to little by little.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
When I talk to kids, I'm really listening. When I do that, we have a little bit of a bigger connection than me being Kendrick Lamar and you being a student. It's almost like we're friends. Because a friend listens.
I'm a big believer of work/life balance. You need a little down time to recharge to make sure that when you're here, you're really all here. I still have a child in high school, so I go to her sporting events, even if it means leaving work and working again when I get home. I probably should work out a little more than I do.
My little bro Kendrick Lamar. I've been saying it for the times even when I was on Warner when everybody knew him as K-Dot. I used to tell people all the time, watch when K-Dot step out the box, he's going to be a problem.
The work that I've gotten in the hiatuses seems to indicate that I will have a little more work after 'Mad Men' than I did when I was scraping by while I was temping in New York, but who knows? People very easily could be like, 'Meh, we're done with that. We've got Jon Hamm. We're good without the weird one with glasses.'
There are massive clubs with massive amounts of money, and Liverpool were always a little bit behind. But if you create a good team, a good atmosphere, and work hard, you can get there. You can win trophies.
I think at some point there may be artists who will get fed up, and they deliberately want to use their art as a means to rock the waves a little bit. And instead of doing the status quo, they'll deliberately go out to really make a change. I think Kendrick Lamar is an example of that.
I think it just takes one little snowflake to start a snowball to go down the hill. My contribution and, say, Kendrick Lamar's and some chosen others' start the snowball. That's all I can hope for. I don't know if I'm comfortable being quote-unquote a leader.
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