A Quote by Masi Oka
I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.
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If you're racist and you come out and say it's because of Brexit, then great. Then I know definitely not to talk to you, rather than you give me a sideways glance in a shop. Now I know, I've seen your Facebook post.
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
There are many people in the world who really don't understand, or say they don't, what is the great issue between the free world and the Communist world. Let them come to Berlin. There are some who say that communism is the wave of the future. Let them come to Berlin. And there are some who say in Europe and elsewhere we can work with the Communists. Let them come to Berlin. And there are even a few who say that it is true that communism is an evil system, but it permits us to make economic progress. Lass' sie nach Berlin kommen. Let them come to Berlin.
I will say I would leave many of the decisions of some of the things you mentioned to the generals, the admirals, the people on top, and we get some of the - the Congressmen just mentioned to me and I - I think it's true 100 percent, you get your top enlisted people in that and you have some discussions with some of these top enlisted people who know it better than probably anybody.
Some knitters say that they buy yarn with no project in mind and wait patiently for the yarn to "speak" to them. This reminds me of Michelangelo, who believed that every block of stone he carved had the statue waiting inside and that all he did was reveal it. I think I've had yarn speak to me during the knitting process, and I've definitely spoken to it. Perhaps I'm doing it wrong, or maybe my yarn and I aren't on such good terms, but it really seems to me that all I say is "please" and all it ever says is "no".
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
I think the desire to be a journalist started post-911. I'm Syrian American. I speak fluent Arabic. I'd come back to the States for college. I went to Skidmore in upstate New York. I was coming from Turkey, and I'd noticed that I could talk about concepts and ideas and people who seemed foreign to Americans, and they were interested in what I had to say. I think some of it is maybe because I'm very unassuming and I look American, but I'm very much from there as well so I can speak with authority about all of these issues.
Some actors really like to do only a few, some like Casey [Affleck] will do as many takes as there is electrical power. At some point, you'll say, "Listen, I think it's really good." And he'll say, "You sure? You sure? There's not some other way we should try it?"
How you ask for help is secondary to the fact that you ask for help. Some people say, "I am going to command God for help." Some people say, "I want to affirm that God help." Other people prefer prayers of supplication, in which they implore, "Please, God, help me." It all works. It doesn't matter whether you say the prayer out loud, think it, yell it, scream it, write it, sing it - it's all the same.
I always say: 'Share your happiness with the world, give other people that happiness and let it come back,' but some things make me question it. I don't know if I want some people to know that I am happy. I think a lot of people want to take it away from you, and that's really scary.
If you would ask me what my ideal process is, I would say, long pre-production, long production and long post-production.
People come up to me on the street and make some little joke - like they'll say, 'Excuse me, sir, what time is it?' And I'll say, you know, '5:15,' and they'll say, 'Hey! Made you talk!' And that's merely a way of saying, 'I know your work and I like you.'
I go down the street, I say hello to everybody, a stranger or otherwise. I know that they do not know me, but I like to say hello and I think they appreciate it. I notice their faces light up with a smile and I believe that if all the people in our great city...would do that, the whole world would begin to say it is the "Friendly City." You can do a tremendous thing here. We get so absorbed, we do not always speak to our friends. Speak to them, even strangers, you are not going to give offense.
Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.
True story - I had index cards; I would write things on them and post them on the mirror in the bathroom. And I would speak it. Because you have to speak life. You have to speak what you want. You have to watch what you say because it's power in your tongue.
I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.
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