A Quote by Mason Cooley

Photography knows how to authenticate its misrepresentations. — © Mason Cooley
Photography knows how to authenticate its misrepresentations.

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Photography is very personal to me. God knows how many rolls of film I have that I've never shared.
After one has been in a lowly position, one knows how dangerous it is to climb to a high place, Once one has been in the dark, one knows how revealing it is to go into the light. Having maintained quietude, one knows how tiring compulsive activity is. Having nurtured silence, one knows how disturbing much talk is.
No grand inquisitor has in readiness such terrible tortures as has anxiety and no spy knows how to attack more artfully the man he suspects, choosing the instant when he is weakest; nor knows how to lay traps where he will be caught and ensnared as anxiety knows how, and no sharp-witted judge knows how to interrogate, to examine the accused, as anxiety does, which never lets him escape.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
Flash photography can be horrible. In the hands of an expert who knows how to bounce all that searing bright light in the right direction, it may make an impossible picture workable.
The enemy of photography is the convention, the fixed rules of 'how to do'. The salvation of photography comes from the experiment.
Where 'Paranormal Activity' really comes into its own is its rhetoric of legitimacy - how it uses itself to authenticate itself, and thus furthers the pretence of being real.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
Mike Pence not only knows the Capitol. He knows the players in the House and the Senate. He knows how the committee system works. But he also knows all the governors. And so that really brings a unique talent to the picture.
For me photography had an immediacy... I was trying to resolve certain issues. What was fair or unfair about how people lived, and how they had to live? I thought the most penetrating and most immediate way to get to some of those questions was through photography.
Consciousness is a state in which a man knows all at once everything that he in general knows and in which he can see how little he does know and how many contradictions there are in what he knows.
"A guy who knows how to dance knows how to fight. A guy who knows how to fight knows how to love. A person who knows how to fight will break bones yet a person who knows how to love will break hearts".
When you think of a chef you think of somebody that could cook - you don't think of chef that says, 'Yo, I make only steaks'. No. A chef knows how to bake, he knows how to fry, he knows how to sautee, he knows how to do everything that's pertaining to food, and that's how I felt about my lyrical position. It's like I would say, 'Today I'm gonna make a hot salmon. Tomorrow I make you spaghetti. The next day I make you baked fish'. This is how my lyrical content in my head was already bein' reciprocated to the world, bein' given to y'all like that.
There were no hundreds and hundreds of cases of domestic violence. I would have no knowledge of that or have any idea how I would authenticate that. That was never the intent of the writer's conversation with me.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
A man who knows how little he knows is well, a man who knows how much he knows is sick.
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