A Quote by Mason Cooley

Masks are what they seem to be; not so the faces beneath them. — © Mason Cooley
Masks are what they seem to be; not so the faces beneath them.

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All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.
Masks beneath masks until suddenly the bare bloodless skull.
Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
All the children had to wear a gas mask in case of a gas attack by the Germans. They tried to make the masks like Mickey Mouse faces so the children would like them. But I didn't. They had big ears on them.
The days, the nights, flow one by one above us. The hours go silently over our lifted faces. We are like dreamers who walk beneath a sea. Beneath high walls we flow in the sun together. We sleep, we wake, we laugh, we pursue, we flee.
The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
Women have been charged with deviousness and duplicity since the dawn of civilization so they have never been able to pretend that their masks were anything but masks. It is a slender case but perhaps it does mean that women have always been in closer contact with reality than men: it would seem to be the just recompense for being deprived of idealism.
Ensor sees with his imagination, but his vision is perfectly accurate, of an almost geometric precision. He is one of the very few who can really see. Like you, he has an obsession with masks; he is a seer as you and I are. The common herd, of course thinks that he is mad.*****************You shall see what sort of man Ensor is, and what a marvellous insight he has into the invisible realm where our vices are created... those vices for which our faces make masks.
Zen is the game of insight, the game of discovering who you are beneath the social masks.
False gods must be repudiated, but that is not all: The reasons for their existence must be sought beneath their masks.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
When we walk upon Mother Earth, we always plant our feet carefully because we know the faces of our future generations are looking up at us from beneath the ground. we never forget them.
If only,’ Shiroyama dreams, ‘human beings were not masks behind masks behind masks. If only this world was a clean board of lines and intersections. If only time was a sequence of considered moves and not a chaos of slippages and blunders.
Become abundant with your compliments to others. We're all so fragile, especially when we put on a brave face. A sincere compliment can penetrate beneath even the most sophisticated masks to soothe troubled souls.
As the Hindu gods are 'immortal' only in a very particular sense - for they had born and they die - they experience most of the great human dilemmas and often seem to differ from mortals in a few trivial details... and from demons even less. Yet they are regarded by the Hindus as a class of beigns by definition totally different from any other; they are symbols in a way that no human beign, however 'archetypal' his life story, can ever be. They are actors playing parts that are real only for us; they are masks behind which we see our own faces.
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