A Quote by Mason Cooley
In new situations, I look carefully at appearances. In familiar ones, I glance.
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The historian of science may be tempted to claim that when paradigms change, the world itself changes with them. Led by a new paradigm, scientists adopt new instruments and look in new places. even more important, during revolutions, scientists see new and different things when looking with familiar instruments in places they have looked before. It is rather as if the professional community had been suddenly transported to another planet where familiar objects are seen in a different light and are joined by unfamiliar ones as well.
One of the things I've started doing lately is tracking my dreams. I feel like there's a lot of information there and you can really bring those emotions to the situations that may feel mundane or familiar. That gives them new life and gives you a new relationship with it - if that makes any sort of sense.
In order to educate man to a new longing, everyday familiar objects must be shown to him with totally unexpected perspectives and in unexpected situations. New objects should be depicted from different sides in order to provide a complete impression of the object.
I already know what things look like - I don't want description. People believe in appearances, and I don't believe in appearances at all.
Applauds of the ignorant majority are worthless; applauds of the wise minority are priceless! Look carefully, who are applauding you? Look carefully, who are blessing you? Mud in the ground or stars in the sky?
The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.
Just look carefully, I only want you to look carefully. Do not repeat the lies of liars. Do not become like them. Once again, I blame al-Jazeera before it ascertains what takes place. Please, make sure of what you say and do not play such a role.
The two most engaging powers of an author are to make new things familiar, familiar things new.
Never look back, except for an occasional glance, look ahead and plan for the future. Success is not built on past laurels, but rather on a continuous activity. Keep busy searching out new ideas and, experimentally, keep ahead of the times, or at least up with them.
Rain Man certainly didn't test really well. If you look at it carefully, you have a disease autism they didn't understand back then, they didn't know in the test audience whether it's okay to laugh or not laugh, because it's a film that's done in a way where, "Well, maybe I'm not supposed to laugh." At the end of the film, Dustin Hoffman gets on the train and doesn't even acknowledge his brother. Not even a glance, nothing. That's why the studio said, "Can't you just have him look at Tom Cruise at the end of the film?"
In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new.
I not only think but also look and study things carefully. When I travel around, I look at things carefully, make comparisons of what I see. I don't accept things at face value, you cannot trust what you hear or see. Don't jump to conclusions without thinking.
See now the power of truth; the same experiment which at first glance seemed to show one thing, when more carefully examined, assures us of the contrary.
While it is quite reasonable for scientists to be skeptical of new ideas that do not fit within the accepted realm of scientific knowledge, the best science often emerges from situations where results carefully obtained do not fit within the accepted paradigms.
One of the delights of the new age is that it's a turning of consciousness to give us permission to look beyond appearances. But there are traps that come with it. It's brave to throw off the old altars and churches and ceremonies that kept us from discovery, it's not so brave to replace them with chants and rituals and new priests who are retreads of the old.
A fine artist is one who makes familiar things new and new things familiar.
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