A Quote by Mason Cooley
Only the most lucid can see their love as comedy.
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The body is imaginary, and we bow to the tyranny of a phantom. Love is a privilege perception, the most total and lucid not only of the unreality of the world but of our own unreality: not only do we traverse a realm of shadows; but ourselves are shadows.
When you start doing comedy, you think to yourself, "I want to be a headliner." And you become a headliner, and you're like, "Oh wait, this isn't what I meant. I meant I want to be a headliner that's famous enough that people come see me specifically." And that's a huge leap, because most of the time most of the audience is there to see comedy in general. They're not there to see you.
I love comedy. I'm not known for comedy, but I love it. I've done a lot of it, in my lifetime. But most people are surprised to hear that I made a funny movie.
I'm not particularly lucid after a concert. I'm not very lucid before, either.
I'd love to do a comedy. Umm, I don't know when that will happen - maybe when I'm, like, 80 or something. But yeah, I'd love to. I'm just waiting for the right person to see my hilarious nature and offer me a comedy.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
Comedy is the only profession where love from a stranger is better than love from a family member. You need to perform for strangers to see if you're really funny. If they laugh and cheer, it's the greatest thing in the world.
I am imbued with the notion that a Muse is necessarily a dead woman, inaccessible or absent; that a poetic structure - like the canon, which is only a hole surrounded by steel - can be based only on what one does not have; and that ultimately one can write only to fill a void or at the least to situate, in relation to the most lucid part of ourselves, the place where this incommensurable abyss yawns within us.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
If you want your life to be a small part of eternity, to be lucid even in the heart of madness, love... Love with all your strength, love as though it is all you know how to do, love enough to make the gods themselves jealous... for it is in love that all ugliness reveals its beauty.
Most of my films - if you look at the tone, apart from 'Shadows,' which is straight-up comedy - the tone is a mix between comedy and pathos, and I really love that.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
Love opens the eyes of our understanding and enables us to see more of the truth than can those who are blinded by self-love. Those who love most, see most.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
It is therefore necessary to prepare the imminent and inevitable identification of man with the motor, facilitating and perfecting an incessant exchange of intuition, rhythm, instinct and metallic discipline, quite utterly unknown to the majority of humanity and only divined by the most lucid mind.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
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