You reveal your own character most clearly when you describe someone else's.
I have trouble describing my own style, since it's sort of like describing my own eye color or something.
To play someone when the character masks their own emotions, doesn't understand their own emotions, has no release for their own emotions, and yet is full of emotion - that is a much harder character to play than someone who has somewhere to put it.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
Believe it or not, every Marvel character is someone's favorite character. There's a fan out there who absolutely believes that their character should have their own television show.
The last rays of merciful light, the last message of mercy to be given to the world, is a revelation of His character and love. The children of God are to manifest His glory. In their own life and character they are to reveal what the grace of God has done for them.
It's a bit of an outside-in approach - so often the clothing can reveal so much about a character. It's like part of her superhero costume that she gets to put on and become someone else.
I've always used masks. I think it's a lot about the fact that masks often reveal a sort of subconscious element to a character. The mask is carved and given an expression or markings to reveal something, even though it's shielding the face. Even though it's hiding the face, it seems to reveal something underneath.
One of the ways that you reveal character is by getting a character into a situation and seeing what they do.
I'd always assumed I was the central character in my own story, but now it occured to me I might in fact be only a minor character in someone else's.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
There’s so much I can’t read because I get so exasperated. Someone starts describing the character boarding the plane and pulling the seat back. And I just want to say, Babe, I have been downtown. I have been up in a plane. Give me some credit.
Every character needs an adversary - one who is both challenging and a contrast for the hero. The best adversaries reveal something about the character they're contrasting.
If you read a book about school - someone else's book - you always translate it into your own school experiences. It's describing the student: he's bewildered and lost in a large crowd in a university classroom. You'll visualize that from your own experiences. So, everything you know is what you're really writing.
Circumstances don't create character. They reveal character.
Now, being a POW certainly doesn't qualify anyone to be president. But it does reveal character. This is the kind of character that civilizations from the beginning of history have sought in their leaders.