A Quote by Mason Cooley

In a strange city, I connect through food and fantasy. — © Mason Cooley
In a strange city, I connect through food and fantasy.
Food is my big connect to Old City, and I discovered the culture and history of the city by exploring food joints.
You bring people together with food. You connect them and tie the fabric of society together through food.
I have a very strange connect with Lucknow. Though I have never got an opportunity to come to Lucknow, I have been hearing about the city from my mom for the past 30 years!
The reality is that we connect through food, and we have the opportunity to do it three times a day.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
My German heritage, it's through food. Growing up in Switzerland, the thing that I remember the most is the food. And so the way that I experience people and places is through that - through its food and cuisine.
I feel that when you connect something that you do, especially serving food, and connect that together with words - I think it's very important.
You have to be able to connect and re-connect to the passionate things that got you to a certain point in the first place. If you can connect and continue to hold onto that passion, that's the key thing that will help you get through tough times.
To be matter-of-fact about the world is to blunder into fantasy - and dull fantasy at that, as the real world is strange and wonderful.
Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?
So the city became the material expression of a particular loss of innocence – not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be – its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of injury, unable to summon the face of their violator.
Venice is not only a city of fantasy and freedom. It is also a city of joy and pleasure.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
The thinking person has the strange characteristic to like to create a fantasy in the place of the unsolved problem, a fantasy that stays with the person even when the problem has been solved and truth made its appearance.
Often when we talk about food and food policy, it is thinking about hunger and food access through food pantries and food banks, all of which are extremely important.
Back in middle school, Catherine and I had gone through this stage where all we would read were fantasy books. We'd consume them like M&M's, by the fistful, J.R.R. Tolkien and Terry Brooks and Susan Cooper and Lloyd Alexander. Susan Boone looked, to me, like the queen of the elves (there's almost always an elf queen in fantasy books). I mean, she was shorter than me and had on a strange lineny outfit in pale blues and greens.
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