A Quote by Mason Cooley

Clothes make the body both mysterious and historical. — © Mason Cooley
Clothes make the body both mysterious and historical.
The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh
In the fashion world, you have to make clothes to sell. You have to make clothes for the press. You have to make clothes for yourself. What I mean is, everything is an obligation. But a writer? A pure artist? Maybe he doesn't make one lira - but he does what he wants.
You need, in your closet, clothes that will - that you can use in many different ways. Clothes that make you fell comfortable, clothes that make you feel 'you.'
In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.
In the (film) industry, body size doesn't matter. What matters is how much an actor contributes through his performance and not his body size. It is important that every person should wear clothes that go with their body - the cut, the fabric make a lot of difference.
I opt for clothes that complement my body type. I am not someone who will go for something just because it is trendy and not look good on me. I would choose clothes which are comfortable and accentuate my body type.
I've got access to your mysterious body but not your mysterious soul. Souls seem to me the loneliest possibility of all.
Some women are convinced that they are the same size they were 20 years ago. They also wear clothes that are too big in an effort to hide their body. Both cases are unflattering and work against your body. Some women are in denial about changing.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
North Americans as a whole need to embrace having clothes altered to their body. I hear it all the time: why do the Europeans always look so good? They have a relationship with their tailor and spend the time and money to make their clothes look their best.
The novel and the film of 'The Color Purple' are both works of the imagination that make claim to historical truth.
I always have a lot of vents and slits in the clothes I design, even inside the pockets so that I can slip my hands inside my clothes and touch my skin. I want to be able to feel my body naked inside my clothes.
It is both delusional and stupid to think that clothes don't really matter and we should all wear whatever we want. Most people don't take clothing seriously enough, but whether we should or not, clothes do talk to us and we make decisions based on people's appearances.
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