A Quote by Mason Cooley

Vulgarity is innocent; urbanity is not. — © Mason Cooley
Vulgarity is innocent; urbanity is not.
The worst vulgarity is to avoid vulgarity solely on the grounds that it is vulgar.
The vulgarity of inanimate things requires time to get accustomed to; but living, breathing, bustling, plotting, planning, human vulgarity is a species of moral ipecacuanha, enough to destroy any comfort.
There is never vulgarity in a whole truth, however commonplace. It may be unimportant or painful. It cannot be vulgar. Vulgarity is only in concealment of truth, or in affectation.
I love luxury. And luxury lies not in richness and ornateness but in the absence of vulgarity. Vulgarity is the ugliest word in our language. I stay in the game to fight it.
People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.
One is born with good taste. It's very hard to acquire. You can acquire the patina of taste. But what Elsie Mendl had was something else that's particularly American––an appreciation of vulgarity. Vulgarity is a very important ingredient in life. I'm a great believer in vulgarity––if it's got vitality. A little bad taste is like a nice splash of paprika. We all need a splash of bad taste––it's hearty, it's healthy, it's physical. I think we could use more of it. No taste is what I'm against.
Very notable was his distinction between coarseness and vulgarity, coarseness, revealing something; vulgarity, concealing something.
I hate vulgarity. I hate vulgarity even though it attracts me - and it attracts me very much. I love all that is transgressive or vulgar. But in my opinion, it has to reach a limit that is always a little surreal and never becomes in your face.
Innocence is something to be appreciated, to be understood, to be enjoyed. Like you see animals, they're innocent; you see children, they're innocent; flowers, they're innocent. Divert your attention to all these things.
The true character of epistolary style is playfulness and urbanity.
Egotism exists everywhere, but it has a different flavor in England, where the tabloid culture goes much deeper. It's just the indulgence of vulgarity, the wallowing in vulgarity. As with everything English, there's a sort of irony to it. They write a great deal about these trivial people who have a certain eminence, always with a bit of, "Isn't it ridiculous that we are writing about this person?"
It's not about whether you are innocent or guilty. It's about whether or not you can prove you're innocent. If you can't prove you're innocent, then you're considered guilty. It's been flipped: Now it's guilty until proven innocent.
I'm one of the few reading and thinking people who loves Las Vegas for the vulgarity and omnipresence of the dream. The collective dream. There's something enormous about it. Let me say one thing: Las Vegas and cinema have similar roots. The country fair. The magician at the country fair. The vulgarity of the country fair.
[This is] the basis of the Innocent Woman Defense the Innocent Woman Principle:;: Women are believed when they say they are innocent of violence and most easily doubted when they say they are guilty of violence.
Suspects who are innocent of a crime should. But the thing is, you don't have many suspects who are innocent of a crime. That's contradictory. If a person is innocent of a crime, then he is not a suspect.
Cheery was aware that Commander Vimes didn't like the phrase 'The innocent have nothing to fear', believing the innocent had everything to fear, mostly from the guilty but in the longer term even more from those who say things like 'The innocent have nothing to fear'.
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