A Quote by Mason Cooley
A Museum of fetishes would give special attention to the history of underwear.
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Fetishes are literally viewed as fake forms of attraction. The fetish concept is used to delegitimatize attraction to any and all bodies that are not considered normative. This is why people are accused to have transgender fetishes and fat fetishes and disability fetishes, but never cisgender fetishes, thin fetishes or able-bodied fetishes. Even in cases in which the person in question exclusively partners with these latter groups.
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken.
You do not go out into the street in your underwear, although usually you are wearing underwear. The underwear is not visible but it is there all the time. It is the same with concepts. They are there. They underlie practical things we do- even when we are not conscious of them.
It doesn't seem that the female brain is organized for fetishes. I suspect it has to do with our animal backgrounds. Fetishes are a frustration fall back for men cut out of the breeding Olympics. The female can always get sex. It's her role to deny sex.
I developed an interest in the history of the Negro leagues to the point where I visited the museum in Kansas City, Mo., twice and made the museum an integral part of my unheralded 2005 coming-of-age baseball novel, 'Scooter.'
Of all presidential perks, the pardon power has a special significance. It is just the kind of authority that would attract the special attention of someone obsessed with himself and his own ability to influence events.
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
It is a standing source of astonishment and amusement to visitors that the British Museum has so few British things in it: that it is a museum about the world as seen from Britain rather than a history focused on these islands.
I first drew the attention of my future husband when we were fourteen, on the freshman school bus for an epic field trip from Riverside, Calif. to Los Angeles, where we were taken to the L.A. Zoo as well as the Natural History Museum.
I think I've done two shoots in my underwear ever. They both happened to be for Calvin Klein. But that tag - 'underwear model' - I just can't get rid of it. And it's such a bizarre, specific thing - underwear. It's like I never modelled clothes.
What would I put in a museum? Probably a museum! That's an amusing relic of our past.
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago but the Field Museum of Natural History, the Oriental Museum on the south side.
Go to the source for ideas, go to the Metropolitan Museum, find your inspiration in nature, go to the Museum of Natural History, but never rely on something that someone else has done.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
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