A Quote by Mason Cooley
Nostalgia keeps dissolving the ironic narratives in which I have contained my past.
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Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
Sentimentality and nostalgia are closely related. Kissing cousins. I have no time for nostalgia, though. Nostalgics believe the past is nicer than the present. It isn't. Or wasn't. Nostalgics want to cuddle the past like a puppy. But the past has bloody teeth and bad breath. I look into its mouth like a sorrowing dentist.
Death is the moment of form dissolving. When that dissolving is not resisted, an opening appears into the dimension of the sacred, into the One formless, unmanifested Life. This is why death is such an incredible opportunity. There is no transformation of human consciousness without the dissolving that death brings.
Yet what keeps me from dissolving right now into a complete fairy-tale shimmer is this solid truth, a truth which has veritably built my bones over the last few years--I was not rescued by a prince; I was the administrator of my own rescue.
Imagination is nostalgia for the past, the absent it is the liquid solution in which art develops the snapshot of reality.
The past. The Golden Age of the past. What a nostalgia we all feel for it. Yet we don't want it when we get it. Try the South Seas.
We in ancient countries have our past- we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.
Irony is the disparity between what you expect will happen, and what does happen. So raining on your wedding day isn't ironic, it's just crappy. It would have been ironic if she had lived in a place like Seattle, and traveled to the desert of Mexico for a wedding and it ended up raining there, but not in Seattle. Alanis always gets the last laugh though. We all sit here, saying her song isn't ironic, but in fact, that's pretty ironic that she wrote a song called Ironic that wasn't really ironic. Those Canadians are pretty crafty.
Even within single sentences, there are sudden changes of register. And when the travellers go to Venice, they see a play by Voltaire! This is a novel [Candid] which has narratives within narratives, such as when Cunégonde recounts her story.
Everytime he brushes me with his fingers, time seems to tether for a second, like it is in danger of dissolving. The whole world is dissolving, I decide, except for us. Us.
...And nostalgia is a cancer. Nostalgia will fill your heart up with tumors. Yeah, yeah, yeah, that's what you are. You're just an old fart dying of terminal nostalgia.
I have complicated feelings about nostalgia. I think that sometimes it can be dangerous. It can airbrush the truth, or fictionalize the truth, which leads to the worst kind of sentimentality. But I'm also a sentimental person who feels quite a bit of nostalgia.
I work out. I try to work out every day. That keeps me in the moment, which is great. Keeps my head from thinking about the future and the past too much. I love working out. That really helps me a lot.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king
I don't have a great nostalgia for the past.
Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
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