A Quote by Mason Cooley

Mathematics: silent harmonies. Music: sounding numbers. — © Mason Cooley
Mathematics: silent harmonies. Music: sounding numbers.
May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.
Though the structures and patterns of mathematics reflect the structure of, and resonate in, the human mind every bit as much as do the structures and patterns of music, human beings have developed no mathematical equivalent to a pair of ears. Mathematics can only be "seen" with the "eyes of the mind". It is as if we had no sense of hearing, so that only someone able to sight read music would be able to appreciate its patterns and harmonies.
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
It is almost as hard to define mathematics as it is to define economics, and one is tempted to fall back on the famous old definition attributed to Jacob Viner, "Economics is what economists do," and say that mathematics is what mathematicians do. A large part of mathematics deals with the formal relations of quantities or numbers.
My brain doesn't work very well, in terms of mathematics. I'm not one of those people who can just spout off numbers for things, if numbers are thrown at me.
Like mathematics and music and cosmology and philosophy, poetry, too, can "infinitize" us, granting us what immortality there is to be had in this mortal life. And all those who vibrate in harmony to language that itself vibrates to the harmonies of the infinite are entitled to inclusion among the "small group of people.
If you take the duality of things - like sunny-sounding music with weird lyrics on it - it makes this dichotomy. I've never had that because when I make music, I make major chords, happy-sounding stuff, and my lyrics are positive.
I'm trying to play tunes in a new way, using all the same scales, harmonies, structures, but twist everything a little bit so that it comes out sounding different.
Most people have some appreciation of mathematics, just as most people can enjoy a pleasant tune; and there are probably more people really interested in mathematics than in music. Appearances suggest the contrary, but there are easy explanations. Music can be used to stimulate mass emotion, while mathematics cannot; and musical incapacity is recognized (no doubt rightly) as mildly discreditable, whereas most people are so frightened of the name of mathematics that they are ready, quite unaffectedly, to exaggerate their own mathematical stupidity
In the Pythagorean system, thinking about numbers, or doing mathematics, was an inherently masculine task. Mathematics was associated with the gods, and with transcendence from the material world; women, by their nature, were supposedly rooted in this latter, baser realm.
Music is mathematics, the mathematics of listening, mathematics for the ears.
Just as music comes alive in the performance of it, the same is true of mathematics. The symbols on the page have no more to do with mathematics than the notes on a page of music. They simply represent the experience.
What is mathematics? Ask this question of person chosen at random, and you are likely to receive the answer "Mathematics is the study of number." With a bit of prodding as to what kind of study they mean, you may be able to induce them to come up with the description "the science of numbers." But that is about as far as you will get. And with that you will have obtained a description of mathematics that ceased to be accurate some two and a half thousand years ago!
What exactly is mathematics? Many have tried but nobody has really succeeded in defining mathematics; it is always something else. Roughly speaking, people know that it deals with numbers, figures, with relations, operations, and that its formal procedures involving axioms, proofs, lemmas, theorems have not changed since the time of Archimedes.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
Touch not the flute when drums are sounding around; when fools have the word, the wise will be silent.
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