A Quote by Mason Cooley

Outside literature, high-flown sentiments are merely exasperating. — © Mason Cooley
Outside literature, high-flown sentiments are merely exasperating.
The body of literature, with its limits and edges, exists outside some people and inside others. Only after the writer lets literature shape her can she perhaps shape literature.
Often with good sentiments we produce bad literature.
It is with noble sentiments that bad literature gets written.
New media may at first appear as mere codes of transmission for older achievement and established patterns of thought. But nobody could make the mistake of supposing that phonetic writing merely made it possible for the Greeks to set down in visual order what they had though and known before writing. In the same way printing made literature possible. It did not merely encode literature.
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
It is with fine sentiments that bad literature is made. Descend to the bottom of the well if you wish to see the stars.
I've driven a Formula One car, flown a helicopter, flown with the Red Arrows, met kings and queens, been to the White House.
Zen is not interested in high-flown statements; it wants its pupil to bite his apple and not discuss it.
The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.
I've never been outside Heathrow so it will be exciting to see what London has to offer. I think I've only flown into Heathrow maybe twice.
Architecture arouses sentiments in man. The architect's task therefore, is to make those sentiments more precise.
Boys and young men acquire readily the moral sentiments of their social milieu, whatever these sentiments may be.
You cannot go outside of A and Z in the realm of literature; likewise Christ Jesus is First and Last of God's new creation, and all that is in between; you cannot get outside of that.
It is customary for the recipient of this award to offer personal or scholarly comment on the nature and the direction of literature. At this particular time, however, I think it would be well to consider the high duties and the responsibilities of the makers of literature.
Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use -- high or low matters not. Literature cannot by this impulse betray the grandeur of its subject -- there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
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