A Quote by Mason Cooley

The writer is always courted by invitations from the all-too- familiar. — © Mason Cooley
The writer is always courted by invitations from the all-too- familiar.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off-putting to the audience. There is always something familiar they can grab onto.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off putting to the audience. There is always something familiar they can grab onto.
Better be courted and jilted Than never be courted at all.
I could be just a writer very easily. I am not a writer. I am a screenwriter, which is half a filmmaker... But it is not an art form, because screenplays are not works of art. They are invitations to others to collaborate on a work of art.
With my stuff, I think I've tried. I've been courted. I don't want to sound like an asshole, but I've been courted to be someone who could sell a lot of books.
Come and see us if you feel like it,' she said. 'I always expect people to ask themselves. Life is too short to send out invitations.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.
When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.
I always showed myself in the face of day, asserting the liberty and independence of my country, while some others, like owls, courted concealment and were too much afraid of losing their roosts to leave them for such a cause.
To be honest, I joined Facebook as an experiment. I accepted all invitations just to see how many people would ask to be 'friends' - it quickly overwhelmed my time to process even the invitations and requests, let alone to actually go there and do anything.
I live on the margin of just about everything. I'm a marginal person, and I think that is where I've become comfortable. I'm marginally there in my native life. I can do as much as I can, but I'm always German, too, you know, and I'm always a mother. That's my first identity, but I'm always a writer, too.
I'm always aware that there's a trick to television to prevent an actor from becoming too lazy. Once you become too familiar with a character, it can stifle the adrenalin from flowing through in the performance.
If one has one cow, it is always better not to be too familiar with those who have seven.
When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.
[T]omorrow is a new day. You shall begin it well & serenely, & with too high a spirit to be cumbered with your old nonsense. This day ... is too dear with its hopes & invitations to waste a moment on the rotten yesterdays.
This day is all that is good and fair. It is too dear, with its hopes and invitations, to waste a moment on the yesterdays.
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