A Quote by Mason Cooley
City people make most of the fuss about the charms of country life.
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Entitlements is not sic the issue. And if so, cool heads can sit down and engage the American people and tell us how many seniors in nursing homes do we want to throw out in the street? ... And then who wants to make a fuss about Medicare when it's solvent until 2024? ... Who wants to make a fuss about Social Security when it's solvent - and it's about, 'You earned it'?
I have always noticed that the people who have the smallest souls make the most fuss about getting them saved.
When a guy says, "Don't make a fuss over my birthday," he means "Don't make a fuss over my birthday". When we say "Don't make a fuss over my birthday," we mean "Give me a surprise party. Do something lavish. Just don't tell everyone my age."
But I really feel strongly that our kids do way too much homework. The research is on my side. It's easy to make a fuss when you're right. That can be the tagline of my life: 'It's Easy To Make A Fuss When You're Right.'
People make a big fuss over you when you're President. But I'm very serious about doing everything I can to make sure that it doesn't go to my head.
On the country has gathered the idea of a natural way of life: of peace, innocence, and simple virtue. On the city has gathered the idea of an achieved centre of learning, communication, light. Powerful hostile associations have also developed: on the city as a place of noise, worldliness and ambition; on the country as a place of backwardness, ignorance, limitation. A contrast between country and city, as fundamental ways of life, reaches back into classical times.
We don't talk about that at all as a country. I think that most people assume that there's nothing they could do if a nuclear bomb went off in their city. And that's just not true. Most people would survive most terrorist nuclear attacks because the bombs would likely be much smaller than those we were dealing with in the Cold War.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
All I've done is run fast. I don't see why people should make much fuss about that.
What can one say about a country where a museum of science in a great city can feature an exhibit in which people fire machine guns from a helicopter at Vietnamese huts, with a light flashing when a hit is scored? What can one say about a country where such an idea can even be considered? You have to weep for this country.
I think the city isn't talked about enough, there are not enough people championing Birmingham. When I was at university in Manchester I wasn't a fan, I was a bit down on my home city. But as I've got older I love living here. It's easy to get around the country to gigs, and it's a calming, friendly city.
Don't make a fuss about a world war. At most, people die... Half the population wiped out - this happened quite a few times in Chinese history... It's best if half the population is left, next best one-third.
I don't understand how people can make such a fuss about people that are happy and in love, when there's people dying of hunger and war and they don't even notice that. I really don't understand that. That makes me so angry!
'Hot Fuss' was all based on fantasy. The English influences, the makeup - they were what I imagined rock was. I'm a dreamer, you know? So I dug into that dream and made 'Hot Fuss.' But hearing people call us 'the best British band from America' made me wonder about my family and who I was.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
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