A Quote by Massimiliano Gioni

In some Arab art exhibitions that have happened, there's always this idea that the East is more traditional; they show a lot of works on calligraphy and religion. — © Massimiliano Gioni
In some Arab art exhibitions that have happened, there's always this idea that the East is more traditional; they show a lot of works on calligraphy and religion.
Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers; they bloom and then they die, then exist only as memories, or pressed in magazines and books.
Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. I buy art that I like. I buy it to show it off in exhibitions. Then, if I feel like it, I sell it and buy more art.
A lot of the stuff I've done is inspired by the location. Usually my works are pretty site-specific. There are a lot of shows that are older works, but often when I do new work for a show, it tends to talk to the space or the idea of the museum.
A lot of us have all sorts of ideas, and we select some rather than others and give expression to those... and some works of art are more successful than others. Some languish in obscurity and are never heard of again, while others form the foundation of a whole school of art.
Maybe there are some traditional things, but they are more about the way the West packages the East.
The finest works of art are those in which there is the least matter. The closer expression comes to thought, the more the word clings to the idea and disappears, the more beautiful the work of art.
I like the idea of my art being a covetable object; I like preciousness. A lot of art seems to flaunt its throw-away character... But you have to sail out into the dangerous sea of fine art with these crafted works.
When we teach in pluralistic ways, there are two wonderful dividends. First of all, we reach more students, because some learn best through stories, some through works of art, some through role play etc. Second of all, we show what it is like really to understand something.
I grew up in Jerusalem and went to school here. I studied at the Hebrew University - mostly Islam and Arabic: Arab literature, Arab poetry and culture, because I felt like we are living in this region, in the Middle East, and we are not alone: There are nations here whose culture is Arab.
Whatever they did for democracy, the U.S. interventions in the Middle East and the vaunted Arab Spring have proved to be pure hell for Arab Christians.
There are going to be a lot of questions, not just in my country, but across the Middle East. Is Israel going to continue to be "Fortress Israel"? Or, as we all hope, become accepted into the neighborhood, which I believe is the only way we can move forward in harmony. And no matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.
I went back to my mother's house recently and I saw some of my earlier works as a 15-year-old art student. And a lot of them were reiterations of classic works.
I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.
There's kind of a hidden point which isn't being brought out, and that is that it is inconceivable that the U.S. would permit democracy in the Middle East, and for a very simple reason. Just take a look at polls of Arab public opinion. They exist. You can't find them in the press, but they exist from prestigious polling agencies. Released by major institutions. And what they show is that if there was democracy in the Middle East, the entire U.S. program for domination of the Middle East would be down the tube.
Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.
I found it amazing people can think that art must be connected to religion. Religion may give art themes, but there would still be art without religion. Bach is not proof that art exists.
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