A Quote by Massimo Bottura

I am Massimo Bottura. I close my eyes and I want to understand where I am, cooking is about emotion, it's about culture, it's about love, it's about memory. — © Massimo Bottura
I am Massimo Bottura. I close my eyes and I want to understand where I am, cooking is about emotion, it's about culture, it's about love, it's about memory.
I am not politically correct. I am all about the facts, I am all about the truth and I am all about Godly pursuits and what this country was built on, and I am not apologetic about it.
I want to be a woman who lives totally abandoned to the first commandment: to love my Lord, my God, with all my heart. I don't want the reputation that I love God, I don't want to write songs about loving God, I don't want to talk about loving God. I want to actually love God. When I close my eyes, I want my heart to move. When I close my eyes and I look at Him, I want to feel alive on the inside. I want to look at Him with a fire in my heart and it's real.
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
I am a geek in terms of, I love 'Close Encounters' and I love 'Star Wars,' but other things... 'Doctor Who,' I don't really care about at all, I couldn't give a fig about it.
I always have a curious sort of feeling about some of my things - I hate to show them - I am perfectly inconsistent about it - I am afraid people won't understand - and I hope they won't - and am afraid they will.
What I want to understand is what I am talking about on the stage. What I don't want to understand is what the government is talking about when the government tells me about taxes.
The thing I love about music... you can close your eyes and be transported back to a memory or a dream or a feeling.
Food is about agriculture, about ecology, about man's relationship with nature, about the climate, about nation-building, cultural struggles, friends and enemies, alliances, wars, religion. It is about memory and tradition and, at times, even about sex.
I am incredibly passionate about my life, I am absolutely unable to hide any emotion. If I wrote a book, I'd have to call it 'P is for Passion'. I don't go in for anything halfway. My feelings about things are instant, on the spot. And my heart is always, always on my sleeve.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
Without meaning to sound crass, I've never had any psychological... help. It's because I feel my work is so revealing about who I am and what I am trying to understand about myself. It's a therapeutic process.
I love to talk about cooking and recipes, but I love as much talking about how food and cooking can change the world.
Chronicle Books is a wonderful book company. I love how everything represents who I am. The Diva Rules! is not an autobiography in the sense that I am talking about my life but more about my journey as to where I am now. People told me I would never make it. I was staring in the face of adversity and did it anyway. I chronicle it through the years. It is about finding your strength.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
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