A Quote by Massimo Vignelli
In the new computer age, the proliferation of typefaces and type manipulations represents a new level of visual pollution threatening our culture. Out of thousands of typefaces, all we need are a few basic ones, and trash the rest.
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Unlike painting, sculpture, or music, typefaces must be useful to someone. Fortunately for designers, the digital age has produced new problems to solve - developing typefaces that work on mobile phones, for one - and enabled better solutions to old problems.
Type is saying things to us all the time. Typefaces express a mood, an atmosphere. They give words a certain coloring.
I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture.
All typefaces are historical.
The proliferation of new music groups and individual performers focusing on new music today is heartening. On the one hand the culture is very resistant to new things, and yet it continues to change and grow.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements... the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
It's a cliché, but typefaces are really just ingredients.
All our efforts to guard and guide our children may just get in the way of the one thing they need most from us: to be deeply loved yet left alone so they can try a new skill, new slang, new style, new flip-flops. So they can trip a few times, make mistakes, cross them out, try again, with no one keeping score.
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
Anyone who uses Helvetica knows nothing about typefaces.
From the moment when a subordinate class becomes really independent and dominant, calling into being a new type of State, the need arises concretely, of building a new intellectual and moral order, i.e. a new type of society, and hence the need to elaborate the most universal concepts, the most refined and decisive ideological weapons.
I hope a start at getting some oil out of the enormous Alaska field isn't indefinitely mired in a bureaucratic morass as a result of our national concern for the ecology. This concern must not be so misguided, misdirected, misused that it serves to stop economic growth, to bankrupt companies, to stifle new development, new jobs, new horizons. In fighting new pollution and stemming present pollution, exciting, sometimes costly means and methods exist and others will evolve. But blanket legislative naysaying to expanding power and energy sources is stupid, self-defeating.
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them.
I'm not an expert in typefaces that serve scientific writing, but I'd guess that's another dozen or two.
The reason I decided to run for Senate is one of my responsibilities as governor is to make sure that the voices of our people and our small businesses in New Hampshire are heard in Washington and that we continue to make the type of progress we're making here at the state level; we need that same type of response and progress in Washington.
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