A Quote by Master P

Who wanna be next? While you a dead superstar, the record company still cashin' checks. — © Master P
Who wanna be next? While you a dead superstar, the record company still cashin' checks.
In USA, a black man only have like five years we can exhibit maximum strength, and that's right now while you a teenager, while you still strong, while you still wanna lift weights, while you still wanna shoot back. 'Cause once you turn 30, it's like they take the heart and soul out of a man, out of a black man, in this country. And you don't wanna fight no more.
I wanna be in a movie, I wanna have a clothing line, I wanna put myself in a position where, when I'm dead and gone, or I can't rap anymore, that's still moving. Tupac and Biggie, they've been dead 10-plus years and people talk about them everyday. I'm gonna try to speak everything into existence. I know the music is my key to get there.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
I had a good record company right from the beginning, and I'm still with them after all these years. I think I may be the only person in the world that's had a tenure this long with any record company.
Every area had their own superstar. The TV was not national, it was localized. So you could develop in one place, or the next place and be a better star, go to the next place and be a superstar.
If you are a new startup company, try not to arouse the interest or suspicion of your competition; especially if they are a bigger company. They can crush you while you are still in your startup phase. Lie low while still strengthening your bottom line.
I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.
I just went up to my mom one day and said, 'I wanna be on TV. I wanna be a superstar!' Since I know this is my passion, and I feel like God chose this career for me, I just knew I was ready to do it.
As long as a man stays alive he can't tell what chances will pop up next. But a dead man signs no checks.
Most artists have contracts directly with the record company, and when they do music, all of their music is owned by the record company. But I did mine through a production company.
A development deal is an in-between record deal. It's like, a guy saying that he wants to date you but not be your boyfriend. You know, they don't wanna sign you to an actual record deal or put an album out on you. They wanna watch your progress for a year.
Our managers hadn't had that kind of success - the record company hadn't, we hadn't - and the feeling was that the next record had to be even bigger, and if it wasn't it would be some kind of failure.
I wanna record these girls individually. And then, I wanna cut a blues album on me. But all of it, original stuff, you know. When I listen to the blues today, it's like they all sounds similar. I wanna do something different, to try to add to the blues flavor.
When people wanna come buy beats or wanna record a song, I'm trappin'.
I love the 'Walking Dead,' but I don't wanna be an actual prominent character on the show. I just wanna be a zombie.
The luge is the only Olympic event where you could have people competing in it against their will, and it would look exactly the same. Take people off the street, 'Hey, hey, hey, what is this?! I don't wanna be in the luge!' Once you put that helmet on them, 'You're in the luge, buddy!' 'aaaAAAaaaAAAaaaAAA... aaaAAAAA...' World record. Didn't even wanna do it. I'd like to see that next Olympics, the Involuntary Luge.
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